Word: gluck
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Dates: during 1960-1969
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Independent Course. The roster of contributing poets includes Alan Dugan, Anne Sexton, John Ashbery, Rob ert Graves, and Richard Eberhart. But no single verse stands out as much as "Cottonmouth Country," some simple post-Lowellite lines by 24-year-old Louise Gluck...
...dynamo with a prolific melodic gift and a boffo theatrical sense, made the French comic opera of his time into the granddaddy of today's musical comedy. In Orpheus, his first big success, he took what were then scandalous liberties with the Greek legend in order to parody Gluck's opera Orfeo et Euridice, to spoof solemn antiquity worship, and to satirize the manners and morals of the Second Empire under Napoleon III. His fiddle-playing Orpheus is glad to be rid of the unfaithful Eurydice until a character called Public Opinion forces him to complain to Jupiter...
Hailed by Vienna critics as the highlight of the festival, Haydn's Orfeo may well have as much claim to entry in the active repertory as the better-known operatic version of the story that Christoph Gluck wrote 30 years earlier. Apparently influenced by his exposure to England's oratorio tradition, Haydn composed Orfeo for a chorus and orchestra much larger than he had previously used. The heavy dose of choral music and the numerous arias in sona ta form make much of the opera sound like an oratorio. The chorus, for example, joins in a love duet...
...bright shirts, frequented the Collegetown area fringing the Cornell campus to gain the confidence of students. His work led to the arrest of 23 people, including one student from Cornell and another from Ithaca College, for selling or possessing LSD and marijuana. A Long Island University student, Andrew Gluck, 22, was accused of being a major supplier of drugs in Ithaca. Some of the sales, police contend, were made in Willard Straight Hall, Cornell's student union...
...GLUCK: ORFEO ED EURIDICE (RCA Victor; 3 LPs). An opera for people who do not like singing, Orfeo is long on dances, and its best-known aria (in the Dance of the Blessed Spirits) is reserved for a flute. Renato Fasano and the Virtuosi di Roma give a pastel but translucent orchestral performance, almost otherworldly, as befits the score. Unfortunately, the singers are a bit too bloodless, even the promising young mezzo, Shirley Verrett, who sings Orfeo...