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...Gluck's Orfeo ed Euridice, starring Met Mezzo-Soprano Rise Stevens as Orpheus...

Author: /time Magazine | Title: Music: Attic Operatics | 9/12/1955 | See Source »

...three-week festival (July 10-31) is underwritten, among other sponsors, by the local gambling casino. This summer's fare: operas by Gluck, Mozart and Gounod; three orchestras including the Paris Conservatory, plus Paris' top-notch Loe-wenguth Quartet...

Author: /time Magazine | Title: Music: Europe by Ear | 5/30/1955 | See Source »

Vary rarely indeed does one find a young composer writing almost exclusively in contrapuntal texture. Those who don't master it early usually never master it at all, as Gluck, Schubert and Schumann discovered. So one can only applaud Austin's approach, especially since this Fugue turned out to be much more than an academic exercise. Austin showed a definite flair for orchestration; the sound was clear and the climaxes well spaced. If the sonorities and harmonies were often reminiscent of his teacher, Roy Harris, no matter; this is as it should be in a composer's formative years...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 2/15/1955 | See Source »

...American higher learning has certainly drifted from freedom to conformity in thought and action. Not only is Bard sorely in need of financial assistance, but it needs the assurance of the academic, professional and business worlds that a Bard graduate will not be handicapped by his "uncommon" education. . . . . Wendy Gluck, Brandels University

Author: NO WRITER ATTRIBUTED | Title: ECCENTRIC SUCCESS | 5/24/1954 | See Source »

...Admetus powerfully, if not always as cleanly as the classical style demands. The staging was a trifle fussy, and the corps de ballet postured like so many figures on a Grecian urn. But alongside the triumphs of the performance, the defects were minor. Top honors: Kirsten Flagstad and Christoph Gluck...

Author: /time Magazine | Title: Music: Alcestis' Return | 3/17/1952 | See Source »

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