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Also announced at this time was the spring concert program. Special feature will be a trip to Vassar over the weekend of March 6, to participate in a concert production of Gluck's opera, "Iphegenia auf Tauris...
Schubert's Symphony No. 5 in B flat, Choruses from the Gondoliers by Sullivan, the overture to "Iphigenia in Aulis" by Gluck, and several Brahms Leibeslieder will be among the selections...
...Herbert Graf had plotted entirely new staging for Mozart's Magic Flute, and Toscanini planned to conduct it four times. Of the 27 performances scheduled Toscanini would direct twelve, two more than Conductor Bruno Walter. To Walter was allotted Mozart's Don Giovanni and Marriage of Figaro, Gluck's Orpheus and Eurydice, Weber's Euryanthe. Conductor Hans Knapperts-busch, new to Salzburg, had the cards stacked in his favor. Rosa Pauly was to sing the title role in his production of Strauss's Elektra and nobody alive is better qualified. For the Marschallin in Strauss...
...hours later Hugo Leichtentritt, lecturer on Music, speaks in Paine Hall on "The great masters of Baroque and Rococo Music in their idyllic and elegiac aspects: Bach, Handel, Rameau, Gluck, Haydn, Mozart." Musical illustrations are to accompany this talk, one in a Wednesday series by Leichtentritt...
...Christi" by Des Pres; "Fire, Fire, My Heart" by Morley; two Italian folk songs, "Canto di Caccia" and, "Tu Mi Vuoi"; "Master, Ades Florum" by Carter; "Der Jager Abschied" and "Jagdlied" by Mendelsohn; "The Coronation Scene" from "Boris Godounov" by Moussorgsky; two choruses and a ballet from "Orpheus" by Gluck; "At Father's Door," a Russian folk song; and "The March of the Peers" from "Iolanthe" by Gilbert and Sullivan...