Word: gluepot
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Dates: during 1960-1969
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...thought this tedious two-hour tale worth the telling, could have done it in a tight ninety minutes. Leone spends most of his time focusing on the actors' eyes squinting tensely into the camera lens. The intent is operatic, but the effect is soporific. Stuck in this gluepot horse opera, such veteran range hands as Henry Fonda, Claudia Cardinale and Keenan Wynn struggle helplessly and often hysterically. But the picture, such as it is, belongs to Charles Bronson. A flinty character actor who has appeared in everything from The Great Escape to The Dirty Dozen, he plays his first...
Former Under Secretary of State George W. Ball was the Administration's most articulate war critic when he quit Washington for Wall Street in 1966. Candidly calling himself "the devil's advocate," he persistently opposed deepening the U.S. involvement in what he terms the Vietnamese "gluepot." Far more Europe-minded than his friend Dean Rusk, Ball believes that by making Viet Nam a major battleground with the Communists, the U.S. has failed to cope adequately with De Gaulle, jeopardized any new approach to China, and let the problem of a divided Germany fester far too long...
...hands of Picasso and Georges Braque, collage became a favorite technique during the early years when they were inventing cubism together. For Boston-born Conrad Marca-Relli collage was a last resort. In 1953, while in Mexico, he ran out of oils and turned from the paintpot to the gluepot in sheer desperation...
...combination of painting and pasting suited Marca-Relli so well that he has rarely turned out any other kind of work. Last week the fruits of 15 years of dedication to the gluepot went on display at Manhattan's Whitney Museum (see color opposite...
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