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...work is a glue job rather than an organic entity. The authors took two of Beerbohm's stories, Enoch Soames and A.V. Laider, and awkwardly mixed Beerbohm in as a character among his own creations. In passages that are almost unrelated asides, they have Max as drama critic quoting himself on plays, players and playgoers. These comments lack the pithy bite of aphorisms, and as out-of-context fragments, they lose much of the slyly inflected wit that is one of the special pleasures of reading Beerbohm. The tone is wrong too. Clive Revill employs a voice and manner...

Author: /time Magazine | Title: The Theater: Messing with Max | 11/1/1971 | See Source »

Falling Behind. The year began in one New York City elementary school with an art teacher asking her sixth-graders, "How many of you can bring your own scissors, paints, glue and paper next time?" Her school has only $675 left to provide such materials to its 1,100 pupils. They are luckier than most: many districts are cutting out art and music programs altogether. In Los Angeles, the teachers' union claims that most instructors now spend about $300 each year from their own pockets to give students books and supplies that the board of education cannot provide. Thus...

Author: /time Magazine | Title: Education: Squeezing the Schools | 10/4/1971 | See Source »

...kill, and not worth preserving for domestic use because it is too wild, stupid and inbred (according to some ranchers), the mustang has long been rounded up and "rendered"-a euphemism for slaughtered-by various entrepreneurs. At first the horse carcasses were valued only as a source of glue, clothing and violin bowstrings. But by 1945, industry recognized that wild horses were a cheap source of pet food. That was the signal for the beginning of the great hunt...

Author: /time Magazine | Title: Environment: The Fight to Save Wild Horses | 7/12/1971 | See Source »

...herself and that didn't work. And then she tried different ways of killing herself and one way worked better than the other so they put her away. As Sylvia Plath says in her poem "Daddy," "They pulled me out of the sack, And they stuck me together with glue." The Bell Jar is a description of their jar of glue and the way their fusty inept hands fumbled Esther's embarrassed and bruised parts. Her hilarity is as black as it is defiant; she refuses to be retrieved...

Author: By Tina Rathborne, | Title: Book The Bell Jar | 5/4/1971 | See Source »

...class. Both the poor and nonpoor suffer from short supply and face a continuous market- continuous in the sense that it has been unresponsive to the needs of almost everyone. Real improvement for the poor, the liberals can say, will mean real improvement for moderate income families. But to glue this housing coalition together so that both groups benefit will put a higher price tag on the program. The larger constituency may also shape the housing policy to their needs rather than those of the poor...

Author: By Thomas Geoghegan, | Title: Massachusetts Sparring with Poverty | 4/19/1971 | See Source »

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