Word: gluttonously
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Often, Joyce Carol Oates' creations suggest 19th century romantic novels: a Tolstoy heroine tuned to the breaking point over the frets of love, a Dostoevsky soul glutton, a Stendhal glory hound. The settings, however, are strictly 20th century American, illuminated by sheets of cold neon. Urban infestations where "taxes are rising and the tax base is falling," suburbs that miraculously exist for hours without the visible presence of human life, transitional neighborhoods where elderly holdouts keep their white elephants alive by secretly feeding them boarders...
...only arts which we don't, and can't, overintellectualize. Because we transfer our reactive mechanism from the mind/eye to the eye/nose/stomach/soul, our appreciation of the art is neither diminished by an inferior education nor a weak mind. There is room for the neophyte gourmet, the connoisseur, the glutton, the macrobiotic, the fat and the lean...
...through episodes from his past, present and fantasy lives. Several of the scenes, and Hoffman's part itself, recall his film role as a social dropout in The Graduate. Though the audience never sees him painting, Jimmy is an abstractionist and a dud at it. He is a glutton for humiliation. As "the only abstract painter in the Village who isn't getting laid," he keeps steady dates with a prostitute (Rose Gregorio) who can't refrain from telling him that her other clients are more sat -isfactory in bed than...
False Messiah. As Galileo, Tony van Bridge is far from the ravenous sensualist of thought that Brecht had in mind, a man as avid for "a new idea as for an old wine." He nibbles fastidiously at a part that calls for gorging. This glutton of the mind is an intellectual mercenary. He will retract theories, integrity and self-respect so long as he is paid off with his life. Knowledge is an appetite for him and not an unstained banner of loyalty to scientific inquiry or a mandate to kill the belief in God. He is the typical Brechtian...
...soon getting on famously with both. The reputed intellectual lightweight, who was once expelled by Harvard because of hanky-panky on an examination, turned out to be a glutton for legislative homework. The big (6 ft. 2 in.), brown-haired freshman proved agreeably reticent on the floor and eager to develop good working relationships with such crusty barons as Mississippi's James Eastland, chairman of the Judiciary Committee. In two years, Kennedy was chairman of Judiciary's Special Subcommittee on Refugees and Escapees...