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...Walsh has often seemed most creative when he turns apparent weakness into unorthodox strength. At Stanford that has proved to be something of a necessity. Walsh inherited a stout defense from his predecessor and onetime protege Dennis Green. The offense is a different story. With the exception of Glyn Milburn, an elusive back who runs like a scalded whippet, there is little team speed. After some thought, Walsh converted 250-lb. defensive end Nate Olsen, son of former N.F.L. star Merlin, into a blocking back, and sometimes uses 290-lb. tackle Jeff Buckey as if he were a tight...

Author: /time Magazine | Title: The Second Coming: BILL WALSH | 11/2/1992 | See Source »

THERE'S A STRONG SUSPICION throughout that director Glyn Vincent just gave up on certain parts of the play, figuring that that which was strong was strong enough to carry the longeurs. One of the first responsibilities of a director is pace, yet A.T.C. drags at times like a victim of Old West desperados tied to his horse. The dangers of the pregnant pause should be obvious to everyone, but they were not obvious to Vincent--too much weight is given to the significance of the silences. But his work with the actors seems to have paid...

Author: By Paul A. Attanasio, | Title: Aesthetic of Cool | 11/17/1980 | See Source »

...Glyn Davis Sydney

Author: /time Magazine | Title: Letters, Aug. 25, 1980 | 8/25/1980 | See Source »

Garrison said Suffolk County District Judge Theodore Glyn's ruling of "continuance without finding" shows that in Massachusetts, unlike New Hampshire, the courts are responsive to the threat of nuclear power." He added that the judge told the demonstrators he was personally sympathetic to their cause...

Author: By Joan Feigenbaum, | Title: Judge Drops Charges Against Boston Clamshell Protesters | 3/3/1978 | See Source »

...actors do the kind of work that student actors do, but since their characters don't breathe and move quite like real people, they're on their own. Glyn Vincent as Tyler often seems as confused as his character, but he has moments of real charm and passion, bringing his gawk to life. David Thomas's Lester makes it clear that his cynic had a past and is not simply sewn together of one-liners. Peter Fisher's Brad is mature, intelligent and, most difficult of all, a good Listener. Caroline Jones's Missy knows just how O'Donnell wanted...

Author: By Peter Kaplan, | Title: Sleep-away Paradise | 11/18/1976 | See Source »

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