Word: goã
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...lambaste exorbitant political correctness or to bemoan the inherent exclusionism in conventional holiday greetings, depending on one’s political stripes. But in the midst of the chest-thumping and hand-wringing, it’s best to remember what, in this country, makes the Christmas season go??money...
...through a song—repeatedly—remains intact, and perhaps the fact her songs are less “Huh?”-inducing this time around could be taken as a sign of progress. Still, changing tracks is less impressive when you have nowhere new to go??Stefani has lost some of her fresh zaniness without gaining any maturity. Let’s hope that by her next album, she has enough new ideas to do something besides try in vain to recreate the spark of “Lamb.Angel.Music.Baby...
...more specifically on Bonpoint, which has always asserted the charm of Liberty prints and pin tucks over high-decibel, mini-me ensembles. Bonpoint is less a demonstration of that old clunker "good taste," with its black-or-white dress-code overtones, than of the marvelous French notion of un go??t sr: almost anything can work so long as it's not overdone, the proportions are considered, and it's pulled together with style?along with good shoes ("Properly shod, children can go anywhere," Bonpoint founder Marie-France Cohen likes...
...lively lesson about their dance, the Danube Horo. Although volunteers who joined the dancers exhibited varying levels of grace and coordination, the circular dance quickly took shape. Next, Candela Salsa presenter Nicole M. Gandia ’09 urged attendees to “loosen up and let go?? as she dazzled them with Los Angeles-style salsa, which several students seemed to pick up quickly. According to Jean S. Arias ’09, who led the lesson along with Gandia, the “good thing about the workshop is that it shows that...
...Wai” have an icy purity befitting the Emily Dickinson poem—“After great pain a formal feeling comes”—from which the album gets its title (“First--Chill--then Stupor--then the letting go??).Indeed, the standout track, “Cursed Sleep,” might be the most musically complex piece to ever carry Oldham’s name. Violins ascend while cellos spiral downwards, the melody darts from wall to wall in a careful pattern, and Dawn McCarthy’s counterpoint...