Word: go
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Dates: during 1950-1959
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Evident across the U.S., in the midst of brisk consumer spending for new cars, power boats and vacation-bound plane trips, was an almost rebellious hostility toward threatened tax boosts and heavy governmental spending. "Wherever I go," said Boston Democrat John E. Powers, president of the state senate, "all I hear is 'cut that budget!' " Echoed Chicago Republican Albert Hachmeister, member of the state legislature: "Even parents of schoolchildren come to me and say, 'No more tax increases, please, not even for schools.' " Said San Francisco's Republican Mayor George Christopher: "It used...
Called before the committee was the Navy's volatile virtuoso. Vice Admiral Hyman Rickover, 59 (see Diplomacy), who only a few months before casually told another committee: "I myself don't get pressured by outsiders, but they do go higher up and get pressure put on me that way." This time, Committee Chairman F. (for Felix) Edward Hébert of Louisiana wanted Rickover to name some names. Rickover parried and philosophized. Some Navy men, said he, are "impressed with outside experts, especially those with 'Dr.' in front of their names." Then there is the problem...
Ever so imperceptibly, Rickover smiled and delivered the last word. "It's all right to talk about peace. Now you go home and do something about...
Viola is the one honest, sincere, and normal person in the play. Yet for most of the time she must go about abnormally disguised as a young boy, who looks like her twin brother Sebastian. The problem was quite different in Elizabethan times, since actresses were interdicted and both roles were taken by young boys. Miss McKenna is able to convey a zestful boyishness without ever losing her innate womanliness. And more than any one else in the cast, she pays attention to the poetic qualities of the text (though on opening night she sometimes lowered her voice...
...cold-voiced Malvolio, Fritz Weaver is adequate. His best moment, though, occurs when he is speechless: in his cross-gartered scene he brings along the forged letter and, misinterpreting Olivia's question, "Wilt thou go to bed, Malvolio?," drops it on the ground in stunned amazement. William Daniels' Sebastian leaves a favorable impression. Frederick O'Neal looks the part of the sea-captain Antonio, but his Shakespearean diction is woefully deficient...