Word: goat-boy
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More Than a 'Goat-Boy...
...Grant describes his life at Harvard as going through three stages. "When I first got here, a lot of people knew who I was, but that didn't bother me at all," Grant says. "Then I went through a period where I was tired of being perceived as a `goat-boy.' Now I feel like I've established my own identity away from typecasting...
Burgess's most personal predilections come into play not only with the lopsided Englishness of his choices but with his embrace of verbally experimental books (Mervyn Peake's Titus Groan, John Earth's Giles Goat-Boy) and of sci-fi or futuristic visions (Kingsley Amis' The Anti-Death League, Aldous Huxley's Ape and Essence). His list is as striking for what it leaves out as for what it includes. Every reader will have his favorite omissions-after all, that is half the fun of literary parlor games like this-but just to name five...
...still want to assay the bulk of Letters--out of a sentimental attachment to Barth's brilliant earlier epic-length efforts, Giles Goat-Boy and The Sot-Weed Factor, or out of sheer quixotic nerve--you could take the advice of Jacob Horner, formerly the protagonist of The End of the Road and now a pawn wandering Barth's checkerboard...
...tell is finite and dwindling; print has been rendered passe by film and electronics; realism is an irrational goal for the writer (What is real? Whose reality is it?); art rehashes art. Barth's response was to exalt artifice and make telling the subject of the tale. Giles Goat-Boy (1966) was less a novel than a treatise on the archetypes of heroism; some of the stories in Lost in the Funhouse (1968) suggested antiphonal readings between printed page and tape recorder, or struggled gamely just to get themselves started; the three novellas in Chimera (1972) portrayed classical myths...