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...past the Lyric has put on many a fine, star-heavy performance, and last week's cast was again impressive: Viennese Soprano Leonie Rysanek as Aïda, Italian Mezzo-Soprano Giulietta Simionato as Amneris, Swedish Tenor Jussi Bjoerling as Radames, Italian Baritone Tito Gobbi as Amonasro. But the stage sets looked as though they had been resurrected from an early copy of the Victor Book of Operas: cluttered scenes with every temple, tower and palm frond rendered in tedious detail. And Paris Opera Conductor Georges Sebastian throttled the tempo to a crawl, once even goaded Tenor Bjoerling into...

Author: /time Magazine | Title: Music: Raggedy Ann in Aïda | 12/8/1958 | See Source »

Verdi: Simon Boccanegra (Victoria de los Angeles, Tito Gobbi. Giuseppe Cam-pora, Boris Christoff; Rome Opera House Orchestra and Chorus, conducted by Gabriele Santini; Capitol-EMI, 3 LPs). Verdi constructed his stately, somber-hued monument to paternal love and loyalty midway in his career, saw it fail at the box office and later agreed with the public that it was a "monotonous and cold'' work. Nevertheless, he returned to it after 25 years and extensively revised it. Not often performed, the revised Boccanegra is a fascinating melange of early Verdian flamboyance and late Verdian depth. In this...

Author: /time Magazine | Title: Music: New Records, Dec. 1, 1958 | 12/1/1958 | See Source »

Such fighting words propelled Bing into the kind of operatic hassle usually reserved for prima donnas. San Francisco's Vienna-born Kurt Herbert Adler tore into Vienna-born Rudi Bing, pointed out that the San Francisco company has welcomed such artists as Tebaldi, Del Monaco, Christoff, Siminonato, Valletti, Gobbi, Schwarzkopf and Rysanek for their U.S. debuts, can boast a list of U.S. premieres that puts the Met to shame. Last week San Francisco gave the first U.S. stage performances of two short works by German Composer Carl Orff-Die Kluge and Carmina Burana. Other noted San Francisco firsts: Walton...

Author: /time Magazine | Title: Music: Where Is Santa Fe? | 10/13/1958 | See Source »

Rossini: The Barber of Seville (Maria Callas, Tito Gobbi, Luigi Alva, Nicola Zaccaria, Fritz Ollendorff; Philharmonia Orchestra and Chorus conducted by Alceo Galliera; Angel, 3 LPs). Callas' adroitly wrought Rosina strikes a precarious balance between bubbly naivetè and a subliminal Latin wisdom as shrewd as a fishwife's eye. The Callas voice is in soaring form, buttressed by Baritone Gobbi's smooth, superbly flexible rendering of the role of Figaro and Basso Zaccaria's sumptuous, tomfoolish Basilio. Conductor Galliera provides the coherence and dramatic drive necessary to Rossini's comic frenzy...

Author: /time Magazine | Title: Music: New Records, Jun. 30, 1958 | 6/30/1958 | See Source »

...angle. "Absolutely unclimbable," said Bonatti. But there was no going back. Leaning out into 2,000 ft. of air ("the worst fear I ever had to overcome"), Bonatti finally found a tiny fissure in the rock. He pounded in steel pitons, and from them he and Gobbi hung backward over nothing while easing out from under the rock to reach the sheer green ice face above. There, with Ice Expert Gobbi leading, they climbed 2,000 ft. more, camped the second night on another inches-wide ledge in a freezing wind...

Author: /time Magazine | Title: Sport: How to Lose Fear | 8/19/1957 | See Source »

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