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Selling Pattinson to Summit was tougher. He wasn't a star - his biggest role was Cedric Diggory in Harry Potter and the Goblet of Fire - and he didn't look like a star. "He was disheveled," Hardwicke says. "He was a different weight. His hair was different and dyed black [he had just played Salvador Dalí in Little Ashes]. He was all sloppy. The studio head said, 'You want to cast this guy as Edward Cullen?' I said yeah. And he said, 'Do you think you can make him look good?' I said...

Author: /time Magazine | Title: It's Twilight in America: The Vampire Saga | 11/23/2009 | See Source »

Seemingly overnight, Robert Pattinson went from playing Voldemort's roadkill in Harry Potter and the Goblet of Fire to being the immortal half of one of the hottest screen couples of all time. He spoke with TIME about how he landed the role of Twilight's Byronic vampire Edward Cullen, what it's like to be a generational crush and how to walk unmolested along the streets of Vancouver...

Author: /time Magazine | Title: Q&A: Robert Pattinson | 11/17/2009 | See Source »

...patrons, so you never know who you will run into. The bouncers aren’t too tough and you can always go on the early side to avoid them altogether. Grafton is a great place to start the night with a round of shots or a Grafton Goblet, a slightly classier version of a scorpion bowl...

Author: By Julia M. Spiro, CRIMSON STAFF WRITER | Title: The Best Square Locales For a (Memorable) Drink | 8/20/2009 | See Source »

...British choreographer Wayne McGregor, whose credits include Harry Potter and the Goblet of Fire as well as groundbreaking new works for dance, theater and opera companies, is keen to throw open the doors of those upstairs rooms. "A choreographer is someone who's engaged with physical thinking," he says. "Someone who's applying the technology of the body to concepts and philosophies...

Author: /time Magazine | Title: Wayne McGregor: Mind in Motion | 4/2/2008 | See Source »

...plot-threads, it's the final iteration of Rowling's abiding thematic concern: the overwhelming importance of continuing to love in the face of death. On this point, at least, we're not waiting for a new wrinkle. Dumbledore has been schooling us on this subject since Goblet of Fire, if not longer - when in doubt Rowling tends to err on the side of quashing ambiguity, both telling and showing when one would probably do. So we have known for a while that Voldemort cannot love, that he has been spiritually ruined by his parents' deaths, and he will kill...

Author: /time Magazine | Title: Harry Potter's Last Adventure | 7/21/2007 | See Source »

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