Word: gockley
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Dates: during 1970-1979
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...performing-arts company in the South is incontestably the Houston Grand Opera (TIME, July 19). In his four-year reign, young General Director David Gockley, 33, has turned the company into one of the seven best in the U.S. The forthcoming season opens with Rigoletto (Oct. 15) but includes such attractions as Benjamin Britten's Peter Grimes (Jan. 28) and Monteverdi's The Coronation of Poppea (March 25). Gockley's innovations include the creation of the touring Texas Opera Theater, which has successfully made a home in Texas and five nearby states; next month, for instance, Sousa...
...long. Productions have been rare over the past two decades, and not all that frequent during Porgy's 41 years of life. Now there is a new version that is really worth seeing and hearing. Surprisingly, at least to those unattuned to the activities of General Director David Gockley, it comes from the Houston Grand Opera, where the show last week completed an eight-day run. With former American Ballet Theater President Sherwin Goldman joining in as coproducer, Porgy this week begins a six-week engagement at Philadelphia's Academy of Music, and after that it will move...
Houston Opera General Director David Gockley, 32, commissioned Bilby's Doll as his company's bow to the Bicentennial celebration. He has presented it well. Ming Cho Lee's skeletal sets have just the right blend of reality and make-believe. As Doll, Catherine Malfitano, 27, acts intelligently and sings with a clear lyric soprano; she is obviously going places. The rest of the cast is almost as good, notably Mezzo Joy Davidson (Hannah), Bass Thomas Paul (Bilby) and Tenor Jack Trussel (Shad...
Sarah invariably makes far more commitments in a day than she can ever hope to keep; an aide is regularly on the phone canceling or postponing something. Mindful of all that, Houston Opera Director David Gockley cracks: "Sarah is an administrator only in the sense that no one else can administrate...
...David Gockley, 32, the Houston Grand Opera has a general director who will take a chance on the unfamiliar and still pack the house. In Marilyn Home, singing the pants role of Rinaldo for the first time, the company has a guest performer who not only can go easily from velvety mezzo caresses to sparkling high soprano fioriture, but also has the sheer power and poise to make the music conform to her character's needs. Home sings as though she has never had a finer, more rewarding role. That comes close to being the case. Mezzos have...