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...have very eclectic taste. You write about Godard in one sentence and Dr. Dre's The Chronic in the next. The first two pieces I ever wrote for the A.V. Club were reviews for the video section: Tromeo and Juliet, and Seconds by John Frankenheimer. Tromeo and Juliet was a good example of something that mashes up high culture and low culture in a deliberately provocative way, in that they implemented a fair amount of the actual Shakespeare and added a lot of sex with mutating cows. I think one of the reasons I started "My Year of Flops...

Author: /time Magazine | Title: The Onion's Nathan Rabin | 7/13/2009 | See Source »

...blossoming of a new European cinema in the decades following the Second World War marked the beginning of a distinct cultural epoch on the continent. The 50s and 60s brought a generation of cinematic geniuses like Ingmar Bergman, Jean-Luc Godard, and Federico Fellini to light, along with a diverse set of styles whose ambition and vision are still tremendously influential. But the future of filmmaking in Europe was not so bright, nor its future so clear, in the last days of the war. By 1945, the national film industries that hadn’t been hijacked for propaganda purposes...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: 'Selling Democracy' Premieres at Brattle | 3/12/2009 | See Source »

...script, which this non-Luc Godard wrote with Robert Mark Kamen, quickly sketches Bryan as your standard-issue CIA superman with a pathetic flaw. He calls himself a "preventer." ("What do you prevent?" "Bad things from happening.") And like most other action heroes, he's an all-or-nothing-at-all fellow. An indifferent husband to Lenore (Famke Janssen, this time looking less than her usual obscenely fabulous), who's remarried and can't stand him, Bryan is trying to redeem himself as a family man by paying extra attention to his daughter...

Author: /time Magazine | Title: Taken: The French Disconnection | 1/29/2009 | See Source »

...Jean Delannoy, 100, directed the forbidden-love hit La symphonie pastorale, from the André Gide novel, in 1946; the following decade, his precise dramas became the butt of young turks like Truffaut and Jean-Luc Godard who formed France's New Wave. Back when the international audience got much of its fun, sex and sentiment from Italian movies, Dino Risi, 91, provided robust entertainment in many genres. Among his 80-some features were 17 starring Vittorio Gassman, most prominently the cynical social fable Il Sorpasso / The Easy Life and the blind-officer-on-a-toot drama Profuma di Donna...

Author: /time Magazine | Title: Richard Corliss's 2008 Entertainment Death Reel | 1/10/2009 | See Source »

...Some novelists and playwrights moonlighted in the movies. As a writer whose crime novels inspired a couple dozen movies (seven of them French), Donald Westlake, 76, could have retired with honors in the 60s, after Godard turned The Jugger into Made in USA and The Hunter became John Boorman's Point Blank. In the 70s he owned the comedy-caper genre, for what that's worth, with The Hot Rock, Bank Shot and Hot Stuff. He wrote scripts based on his own novels and those of other crime writers, incl. Jim Thompson's The Grifters (Oscar nomination) and Patricia Highsmith...

Author: /time Magazine | Title: Richard Corliss's 2008 Entertainment Death Reel | 1/10/2009 | See Source »

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