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Looking ahead to future productions, Golan announced the signing, on a Carlton Hotel napkin, of aging Enfant Terrible Jean-Luc Godard to direct a modern version of King Lear in Hollywood, perhaps with Marlon Brando as Lear and Woody Allen as the fool. (No, Golan admitted, the two stars had not even been approached to appear in the film -- but then again, they hadn't said no.) In any case, Godard by now should be accustomed to negative responses. His new film, a handsome, typically perverse antidrama called Detective, was booed at ; its gala screening, and as he was about...

Author: /time Magazine | Title: Show Business: Haggling, Honors and Hype | 6/3/1985 | See Source »

...Godard's crusty critique was one of this festival's few moments of redeeming silliness. For the third straight year, a nagging rain dampened spirits, and neither green-haired mimes nor 6-ft.-tall strolling Care Bears could lure visitors outside. The weather also diminished opportunities for the festival's oldest and most assiduously recorded sideshow: the ritual display of starlet flesh. Young women desiring to disrobe in public were forced to go high tech. Isabelle Solar, chief ornament of the French soft-core epic Joan, could be seen on the closed-circuit hotel TV network slipping into a steamy...

Author: /time Magazine | Title: Show Business: Haggling, Honors and Hype | 6/3/1985 | See Source »

...receive an Oscar, the category has honored both landmark art (The Bicycle Thief, Rashomon, Through a Glass Darkly, 8 1/2) and sophisticated diversion (Seven Samurai, Z, The Discreet Charm of the Bourgeoisie, Day for Night). The Academy might err on the side of aesthetic conservatism; trailblazers such as Godard, Antonioni and Fassbinder were never so much as finalists for the prize, and directors like Bergman and Truffaut were cited years after their films had won critical acceptance. But in general the foreign Oscar was a distinguished overseas cousin to the Best Picture award...

Author: /time Magazine | Title: Cinema: Handicapping the Foreign Oscar | 3/25/1985 | See Source »

Panned by some critics and damned by the church, Jean-Luc Godard's new movie, Hail Mary, is naturally packing in scandal-loving French moviegoers. Since it opened last month, the film has been banned briefly (a judge lifted the censorship), and demonstrators have jostled and insulted ticket holders in line. The reason for the fuss is the film's plot, a contemporary version of the virgin birth. Mary is the outspoken, truculent daughter of a gas-station manager; Joseph is a taxi driver who at the news of her pregnancy mutters about how good her other lovers must have...

Author: /time Magazine | Title: People: Mar. 4, 1985 | 3/4/1985 | See Source »

Maria Braun), and in the past few years has worked with Jean-Luc Godard (Passion), Ettore Scola (La Nuit de Varennes) and Marco Ferreri (The Story ofPiera). By now Schygulla has perfected the bold gesture deftly applied. The grocery-door shutters snap down, or a window shade snaps up, and a thrill sizzles through her like lightning. In the interrogation room she gets a look at her cuckolded husband and quickly puts her fingers to her eyes, gouging out his presence. Her mouth arcs, her tongue flicks, her eyes blaze, her face is illuminated by the reckless glow...

Author: /time Magazine | Title: Cinema: A Prima Donna of Passion | 11/19/1984 | See Source »

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