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...simply that she's a critic. She has seen so many films and thought so long and hard about them, that her own look like a composite of all those things she's praised in others. Duet for Cannibals was made out of Bresson and Bergman and Godard in equal measures, one ingredient at a time. It substituted confusion for narrative and vagueness for thought. It was the type of film that gave the avant garde a bad name...

Author: By H. MICHAEL Levenson, | Title: The Avant-Garde and The Avant-Guardian | 7/27/1973 | See Source »

...culture, spokesperson for the New Sensibility. The New Sensibility praised form and damned content. It was against interpretation and for an anesthetic revolution founded on the non-literary arts of music, painting, film and architecture. In its pantheon were Jasper Johns and John Cage, Roland Barthes and Jean-Luc Godard, Buckminister Fuller and Alain Robbe-Grillet...

Author: By H. MICHAEL Levenson, | Title: The Avant-Garde and The Avant-Guardian | 7/27/1973 | See Source »

...COUNTER cutting-edges of creative forces defining film essence, Stan Brakhage and Jean-Luc Godard have catalyzed complementary film movements. While Godard has brought to bear the history of abstract intellection in vivisecting the codes and conventions of bourgeois narrative film-making, Stan Brakhage has trans substantiated the history of abstract expressionism in creating an answer to the basic question "What is cinema?" Although academic film communities have identified with the analytical "specular text" -- the examining, form-destroying discourses -- of Godard and sentimentally embraced the "naive texts" of nostalgic cultural mythology, for example formula movies of unrestricted genres, Brakhage...

Author: By Tom Cooper, | Title: Stan Brakhage at Harvard | 5/15/1973 | See Source »

...Umbrellas of Cherbourg, 7:30, Agnes Varda, Le Bonheur, 9:30. May 14: Eric Rohmer, La Collectionneuse, 7:30, My Night at Maud's, 9:30. May 15: Phillipe De Broca, Cartouche, with Claudia Cardinale and Jean-Paul Belmondo, 7:30, Love Game, 9:30. May 16: Jean-Luc Godard, Breathless, 7:30, Contempt, 9:30. $2 per night, $1 per film, series ticket $10 for 10 events at Holyoke Center Ticket Office...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 5/10/1973 | See Source »

HARVARD-EPWORTH CHURCH, The Elusive Corporal by Jean Renoir (1962) May 3, 8 p.m., $1. I Am Somebody, by Madeline Anderson. Red Squad, by the Pacific Street Cooperative, Letter to Jane, by Godard and Gorin, May 6, 8 p.m., free (sponsored by Institute of Politics...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 5/3/1973 | See Source »

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