Word: godard
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...ambiguities, everyone should see Z because it is brilliant cinema and has superb acting and beautiful music. Probably more talent has gone into the making of this film than any other of the past year. The color photography by Raoul Coutard (who directed the photography for almost all of Godard's films as well as Jules and Jim by Truffaut) is exceptional. The camera is not a passive observer of the scene but plays an active role. The shots of the fights in the demonstrations are superb because the camera moves around and sweeps you into the maelstrom and confusion...
...with Godard, Coutard often shoots his scenes with plain white backgrounds and focuses on the individuals and the tensions between them...
...Godard's Breathless and Fellini's la Dolce Vita open...
...will be seen that any kind of mass transportation, however powered, is more efficient than the family car. The Rand Corp.'s Stanley Greenfield, however, cynically argues that the revolt against the car may not take place until a thermal inversion, combined with a traffic jam out of Godard's Weekend, asphyxiates thousands on a freeway to nowhere. In addition, factories will have to be built as "closed systems," operated so that there is no waste; everything, in effect, that goes in one end must come out the other as a usable, non-polluting product...
...Period. And that's a broad range of topics. Members of the Ed Board write many of the policies, brass tacks (in-depth discussions of some current problem), and reviews of books, movies, and plays that appear on page 2 of the Crimson. Students who can review the latest Godard extravaganzas will be accepted with open arms. The same goes for those who can unravel the myriad complexities of national politics and institutions. The former are never forced to write politics and the latter needn't ever have seen a play, let alone reviewed one. You just have...