Word: godard
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...Kisses begins with a shot of the Cinemathique in Paris and is dedicated to Henri Langlois, the popular man who runs it. And indeed the Nouvelle Vague movement in French films owes its existence to the Musee Cinema since most of the men in this movement-Truffaut, Jean-Luc Godard, Claude Chabrol, Erie Rohmer, Jacques Rivette-began their careers as critics for the highly-influential Cahiers du Cinema and have arrived where they are only after a long and detailed study of film history...
From the shot of Paris. Truffaut cuts to lead actor Jean-Picrre Leaud (Godard's Mascudin-Feminin. La Chinoise Truffaut's Four Hundred Blows, Skolimowski's Le Depart) reading Balzac. The use of books is a Novell Vague device which reveals Truffaut's Hundred Blows when twelve-year old Leaud kept a bust of Balzae in his room...
...Jean-Luc Godard would certainly resent the comparison, but he makes movies the way some manufacturers make washing machines-with planned obsolescence. Only a few years after their release, Godard films become museum pieces. His innovations are adopted by other film makers, who (like Haskell Wexler in the kinetic Medium Cool) either put his techniques to better dramatic use or (like Agnes Varda in the festival's ludicrous Lions Love) sink beneath the weight of aimless stylistic decoration. Le Go/ Savoir features Jean-Pierre Léaud and Juliet Berto sitting around a TV studio engaging...
...Period. And that's a broad range of topics. Members of the Ed Board write many of the policies, brass tacks (in-depth discussions of some current problem), and reviews of books, movies, and plays that appear on page 2 of the Crimson. Students who can review the latest Godard extravaganzas will be accepted with open arms. The same goes for those who can unravel the myriad complexities of national politics and institutions. The former are never forced to write politics and the latter needn't ever have seen a play, let alone reviewed one. You just have...
...Period. And that's a broad range of topics. Members of the Ed Board write many of the policies, brass tacks (in-depth discussions of some current problem), and reviews of books, movies, and plays that appear on page 2 of the Crimson. Students who can review the latest Godard extravaganzas will be accepted with open arms. The same goes for those who can unravel the myriad complexities of national polities and institutions. The former are never forced to write polities and the latter needn't ever have seen a play, let alone reviewed one. You just have...