Word: godardian
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...Dennis as the Universal Infant. This portrait can be seen throughout The Last Movie, even when other actors come on-notably Stella Garcia as Hopper's Peruvian mistress and Rod Cameron as Rod Cameron. Hopper never appears sober or coherent. This may account for the film's Godardian device-from time to time the legend SCENE MISSING is mounted on a field of black. During the filming of The Last Movie, Hopper declared: "Being an artist is a heavy scene." That, unhappily, is the scene that is altogether missing...
...times, the new film criticism seems to wallow in groundless theorizing. One succinct and complete definition of a Godardian-Marxist viewpoint was voiced by Jim Crawford '71 in his review of Sontag's Duet for Cannibals...
Believing in the redemption of physical reality, then, is not at issue in La Hora de los Hornos, since no such feat is attempted. The images generally stand in a disembodied, figurative relation to the sounds doing the analyzing. Rather than extending these specialized intellectual principles into a Godardian dialectic within every element, Solanas chooses a sign system appropriate to his own country's situation, images most intelligible and applicable to the practical revolutionary concerns of the oppressed...
Between major works Jean-Luc Godard, like Graham Greene, composes entertainments. Pierrot Le Fou, made in 1965 but just released in the U.S., has little of the celebrated Godardian resonance. There are no impalements of the future, as in Alphaville or Weekend, nor is there much of the mordant social satire of La Chinoise or Les Carabineers. Godard himself feels that the film is merely "life filling the screen as a tap fills a bathtub that is simultaneously emptying at the same rate...
...inspired movies by sketching out such trifles as Outsiders. Heroine Anna Karina plays a wistful student who meets two ne'er-do-wells and helps them plan the robbery of her aunt's chateau. They bungle the job, but meanwhile abandon themselves to a couple of amusing Godardian escapades-taking over a cafe with an impudent little dance of alienation, romping through the Louvre in about nine minutes to beat the record set by a busy American tourist. The rest is pretty random stuff, discomfitting evidence that Godard's blazing love affair with the art of film...
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