Word: godardian
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Dates: during 1960-1969
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Between major works Jean-Luc Godard, like Graham Greene, composes entertainments. Pierrot Le Fou, made in 1965 but just released in the U.S., has little of the celebrated Godardian resonance. There are no impalements of the future, as in Alphaville or Weekend, nor is there much of the mordant social satire of La Chinoise or Les Carabineers. Godard himself feels that the film is merely "life filling the screen as a tap fills a bathtub that is simultaneously emptying at the same rate...
...inspired movies by sketching out such trifles as Outsiders. Heroine Anna Karina plays a wistful student who meets two ne'er-do-wells and helps them plan the robbery of her aunt's chateau. They bungle the job, but meanwhile abandon themselves to a couple of amusing Godardian escapades-taking over a cafe with an impudent little dance of alienation, romping through the Louvre in about nine minutes to beat the record set by a busy American tourist. The rest is pretty random stuff, discomfitting evidence that Godard's blazing love affair with the art of film...
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