Word: godards
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...weakness for mannered prose.) But poverty is easier to bear when you see everything through the lens of art, when a blue rayon dress is your "East of Eden outfit" and you go to your job in a bookstore dressed all in black like Anna Karina in a Godard movie...
...what actually happens in the video? The question is, what doesn't happen? The French team and Sparks swagger in the desert to mystic bedouin music, dressed like a cross between MGMT and New Boyz in a Godard film. There is a closeup of the "Welcome to Las Vegas" sign. There is a collective swagger into Diddy's Vegas haunt, Vanity Nightclub, in which the artist formerly known as Puff Daddy appears to lick a fat stack of poker chips. Around the 2:40 mark Jadakiss raps an elegant ode to the eponymous beverage, "the best premium vodka ever...
...came into film early. Born Jean-Marie Scherer in the province of Lorraine, Rohmer moved to Paris, taught literature, worked as a reporter, wrote a novel. In 1950 he co-founded the Gazette du Cinéma with two other future filmmakers, Jacques Rivette and Jean-Luc Godard. Within a few years they - and François Truffaut and Claude Chabrol - were writing for Cahiers du Cinéma, which Rohmer edited from 1956 to 1963. No film magazine was so influential as Cahiers in those years. The young firebrands excoriated the prevailing French cinema and championed Hollywood directors like...
...first to be shown with subtitles in the Cannes festival competition - enchanted audiences with its tale of a man (Jean-Louis Trintignant) committed to one woman (Marie-Christine Barrault) but willing to stay the night with the divorced Maud (Françoise Fabian) just ... talking. After the pyrotechnics of Godard and Truffaut, some wondered if Rohmer had made a film or a radio play. But, as critic Andrew Sarris wisely observed, there's nothing more cinematic than the sight of a man and a woman talking at 3 a.m. in the dark night of the soul. Man and Maud connected...
...captivating smugness to Doubleday; when she flirts, you see traces of Sue Lyon's Lolita. She and Nick court in a flurry of name-dropping, a romantic version of Amazon's "If you liked this, you'll love this" routine. For her, it's anything French, from Godard's Breathless to Serge Gainsbourg, and though Nick favors Frank Sinatra, he adapts. When Sheeni encourages him to be bad as part of a scheme to get him banished to Clear Lake, Nick develops his alter ego. (See the top 10 movie performances...