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Word: godards (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Alphaville by Godard. Winthrop House JCR. 7:30, May 4. Free...

Author: NO WRITER ATTRIBUTED | Title: the screen | 5/4/1972 | See Source »

...impact of Resnais's films, the strength and innovation of their style, suggests the romanticized image of the forceful and eccentric creator-director, a la Godard or Bergman. In fact, Resnais unpretentiously claims a much lesser role for himself in the making of a film. During his visit to Harvard the last week in March, as a guest of Mather House, Dunster House, and Carpenter Center, Resnais spoke of the practical limits and hazards of film direction. He conveyed a shy elegance, and graceful composure reminiscent of his days as an actor. In speaking, his characteristic gesture is a smiling...

Author: By Phil Patton and Sharon Shurts, S | Title: Alain Resnais: From Marienbad to the Bronx | 4/14/1972 | See Source »

...Conformist features the year's freshest colors, passionate direction, and a beautiful girl who can act, Dominique Sanda. It is also meaningfully ridden with guilt and melancholy. Filmmaker Bernardo Bertollucci--once a Godard acolyte--here encloses himself in circular storytelling and claustrophobic environment. A repressed homosexual (Jean-Louis Trintignant) turns to Fascism to become one of the boys, can't cut the mustard even then, and finally returns to simpering solitude when Mussolini falls. The film examines the paths decadence travels in a decrepit society: note that the liberal professor whom Trintignant reveres fled Italy when his student most needed...

Author: By Michael Sragow, | Title: Natural Selection | 2/17/1972 | See Source »

Over the past ten years, Raoul Coutard has achieved a reputation as one of the world's great cinematographers. In that time he has worked for almost all of the noted French "New Wave" film makers (Truffaut, Godard, Rohmer, among others). This is his first directorial effort, and it would seem that his technical background would incline him toward a stylistic self-consciousness. But Coutard is too sure of himself to feel a need to demonstrate his proficiencies. His direction is efficient rather than ostentatious. His concern is with narrative, and the narrative is rigourously simple...

Author: By Michael Levenson, | Title: Hoa Binh | 10/19/1971 | See Source »

...Federico Fellini La Viaccia Mauro Bolognini Sept. 29-Oct. 5 Elvira Madigan Bo Widerberg Morgan Karel Reisz Oct. 6-12 Persona Ingmar Bergman Devil By The Tail Phillippe de Broca Oct. 13-19 The Seven Samurai Akira Kurosawa Oct. 20-26 Boy Nagisa Oshima Weekend Jean Luc Godard CENTRAL SQ. Oct 13-16 The Big Store Marx Brothers A Day at the Circus Oct. 17-19 Ninotchka Greta Garbo Anna Karenina Oct. 20-23 Lolita Peter Sellers The Night of the Iguana Richard Burton Oct. 24-26 Captains Courageous Spencer Tracy Mutiny on the Bounty Clark Gable...

Author: NO WRITER ATTRIBUTED | Title: CLIP AND SAVE FILM GUIDE | 9/20/1971 | See Source »

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