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...Jean-Luc Godard's Masculine/Feminine Friday and Saturday, March...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 3/14/1974 | See Source »

...kind of an equivalent to what classical music types call warhorses--including Orson Welles's Citizen Kane, a great movie that critics have built up too much; The Hustler, which seems better and better ("This is Ames, Mister"..."Fat man, you shoot a great game of pool."...); a classic Godard. Everybody knows these films, you can hardly go wrong no matter what you see this week, and the real attraction of the week is Cagney on T.V., so I'll leave space for Farmer Briney. A few oddities worth checking: Bogart (with a taste for cheesecake, the source of which...

Author: By Richard Shepro, | Title: THE SCREEN | 3/14/1974 | See Source »

Contempt (Godard) 7:35; weekend...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 2/7/1974 | See Source »

...Savoir (Godard) 8, (weekend...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 11/21/1973 | See Source »

...door they're pushing something about how people in high places aren't all they seem to be called The Werewolf of Washington. Louis Malle's Calcutta, shot at the same time as the Phantom India series (now on tv, incidentally), is at the Central along with Jean Luc Godard's Le Gai Savoir. Two more different political films would be hard to imagine, yet both apply New Wave ideas of using the camera as pen. Malle treats the masses of Calcutta with touch of a journalist more interested in shocking than explaining. Godard's effort is billed...

Author: NO WRITER ATTRIBUTED | Title: Screen | 11/21/1973 | See Source »

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