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Word: goddesses (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Goddess & Snakes. Ultimately, of course, a museum can only be as great as its contents. Mexico's century-old collection is one of the world's most comprehensive records of antiquity. Of more than 100,000 relics, two of the finest are the Coyolxauhqui, a 1,543-lb. moon goddess of jadeite whose grinning face is fringed with golden rattlesnakes, and a Western Hemisphere familiar, the 25-ton stone disk whose signs and symbols marked the hours and seasons and mapped the Aztec universe...

Author: /time Magazine | Title: Museums: A Living Temple | 6/25/1965 | See Source »

Again by accident, a farmer digging in his vineyard unearthed the tops of several large fluted columns. Archaeologist Haralambos Makaronas, head of the Pella dig, believes the columns belong to the 5th century B.C. temple dedicated to Athena, the Goddess of Wisdom, of which Roman Historian Livy speaks...

Author: /time Magazine | Title: Archaeology: Alexander's Place | 4/30/1965 | See Source »

...mentioned in your fine article, has for some mysterious reason not been released in the U.S., in spite of its success in Europe. It is R. L. Bruckberger's Le Dialogue des Carmelites, in which she plays an 18th century nun rather than her usual 20th century love goddess. Moreau displays such remarkable strength and dignity in the film that the audience becomes convinced that these are personal virtues as well as professional tools. At the end of the film, all of the nuns are beheaded by French revolutionaries, except Moreau of course. She is left as the last...

Author: /time Magazine | Title: Letters: Mar. 12, 1965 | 3/12/1965 | See Source »

...Hindu goddess of destruction. His newest women are even more tulip-pink tarts, slathering in sensuality and seductive danger (see opposite), and yet they have brought collectors to his doorstep, checkbook in hand...

Author: /time Magazine | Title: Art: Prisoner of the Seraglio | 2/26/1965 | See Source »

...first original poems were sketches and dramatic monologues of working-class New Yorkers just as the Depression began, and though his vision has become more complex, he has continued to be characteristically a poet of 20th century urban alienation, of "the straight, the narrow city, careless goddess" and "the civilized barbarians of the street," where even the oldest inhabitants must make the odd, damning admission, "Yes, I live here: I'm a stranger here myself...

Author: /time Magazine | Title: Books: Poems Split from Granite | 1/29/1965 | See Source »

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