Word: goddesses
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Dates: during 1980-1989
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...Indian press and public reacted in horror. Said the national daily Indian Express: "A barbarous and primitive act." Women's groups protested, and the Rajasthan high court banned further ceremonies at the site. But to some people, Kanwar had become a goddess. Pilgrims thronged to the village of Deorala, 47 miles northeast of Jaipur, to pay homage. Last week hundreds of thousands of people converged on the site for ceremonies marking the end of the 13-day mourning period. The pyre, which had been kept smoldering with ghee (clarified butter) and coconuts, was decorated with a flower-bedecked silk canopy...
...laws, who by tradition would have been required to care for her the rest of her life, had pressured her into the act. Kanwar's father, saying he believed that she acted under "divine orders," took consolation from the fact that his daughter had become a devi (goddess). A shrine commemorating the widow will be built at the suttee site. More than $160,000 has already been contributed by devotees...
...match her soaring fantasies. She takes photographs and records herself on videotape; she is her own and only pal, admirer and shrink. Polly (Sheila McCarthy) needs to find a heroine -- say, the supersoignee curator of an art gallery (Paule Baillargeon). Then she needs to feel betrayed by this designated goddess so she can finally locate her strengths...
Some still endure. Most of the ancestor gods are gone now, but on the Big Island, the fire and volcano goddess Pele still lives. She is not worshiped, say modern-day Hawaiians, but she is acknowledged, and in the fiery and overflowing caldera of Kilauea she rules. The first hula, it is said, was chanted and danced in Pele's praise by her younger sister Hi'iaka. Recently Zuttermeister and some 25 other splendid hula performers, the spiritual descendants of Hi'iaka, brought their art to the American Dance Festival in Durham, N.C. It was not modern dance, which...
...least has no problem differentiating herself from a gaggle of rising young female comics. She arrives onstage toting an accordion and wearing a tatty Grecian-style gown -- a fairy-tale princess dressed by Woolworth's. Her monologues alternate between airy twittering (she refers to herself as the "goddess" and the "petite flower") and truck-stop sarcasm. To the guy who comes on to her in a punk-rock bar, she growls, "I was lookin' for someone a little closer to the top of the food chain." Feminist frustration is mixed with existential nuttiness: "You know what scares me? When...