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Frazier refuses to define herself as a lesbian. This is one of the most refreshing things about Rita Mae Brown: she does not construct a rigid gay identity for her characters. The dividing line between gay and straight remains very fluid. For example, the goddess Venus--who materializes near the novel's end--believes that the division of people into the two categories is "a silly concept, but then you know people think in polarities these days. That's very destructive." Similarly, during her reading, Brown remarked: "I am never immune to the charms of the opposite sex...I just...

Author: By Ashwini Sukthankar, | Title: 'People Are Beautiful and Life Is Short' | 5/28/1993 | See Source »

...goddess. Every woman on this campus should be going to her for OB/GYN stuff," says the senior. "It was her sensitivity that made me feel a lot better...

Author: By Elie G. Kaunfer and Joe Mathews, S | Title: A Search for Faster Access | 4/20/1993 | See Source »

...sacred ritual the revenge- murder that he sees at the heart of Greek tragedy. Edward has a fanatical faith in the cleansing purity of blood vengeance. His wife Helen (Judi Dench), who holds deeply to a liberal belief in fairness and mercy, is his muse and counterbalance -- playing Athena, goddess of reason, to his Perseus, the mythological hero who killed the monstrous Gorgon. The play hinges on the passionate dialectic between these two, which turns ominous when it leaves the realm of playwriting and becomes a struggle for psychic survival...

Author: /time Magazine | Title: Succeeding At Extremes | 3/15/1993 | See Source »

...demonstrates this in considerable detail, through marvelous examples of 5th century sculpture that include the titanically grave and simple group of Atlas presenting the golden apples of the Hesperides to Herakles (from the Temple of Zeus at Olympia) and the famous low-relief carving of the armed goddess Athena, leaning on her spear, absorbed in thought, the body fixed in a space of almost pure geometry (from the Acropolis Museum in Athens...

Author: /time Magazine | Title: Art: The Masterpiece Road Show | 1/11/1993 | See Source »

...This is as much as anything a musical about the magic of musicals, and its title character -- sultrily sung and danced with eyebrow-high kicks by Chita Rivera at 60, an age when she qualifies for a senior citizen's London bus pass -- is pure fantasy, a bygone film goddess whose camp theatrics provide the personal mythology of the gay prisoner brilliantly played by Carver. When life becomes awful, he escapes into reveries of scenes from her films. And when life becomes truly unsustainable, he joins her forever in a brightly lit world of soft shoe and smiles. The real...

Author: /time Magazine | Title: A Musical Hit For London | 11/30/1992 | See Source »

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