Word: godly
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Dates: during 1990-1999
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...urban rock gets. The songs here don't address urgent issues or bleed hearts and even have a tendency to sound like one another, but they do serve blissful, slightly off-center rock with consistent crunch. They make you shut your eyes, nod emphatically and belch, "Yey-ahh. Thank god for audacious musicians...
...Built to Spill legend starts back in the early '90s in beautiful and scenic Boise, Idaho. Somewhere between potato farms and militia members, Boise managed to churn out Doug Martsch, leader and resident guitar god of Built to Spill. First came Ultimate Alternative Wavers, a perplexing title for a perplexing album. A dense and jagged slice of paranoid pop, the album only hinted at the musical mazes that were yet to pour out of Martsch's head...
...Built to Spill legend starts back in the early '90s in beautiful and scenic Boise, Idaho. Somewhere between potato farms and militia members, Boise managed to churn out Doug Martsch, leader and resident guitar god of Built to Spill. First came Ultimate Alternative Wavers, a perplexing title for a perplexing album. A dense and jagged slice of paranoid pop, the album only hinted at the musical mazes that were yet to pour out of Martsch's head...
...first of these was the idea of landscape as epic, spiritual and transcendental. The cluster of feelings surrounding American landscape had come directly into modern art from 19th century images of sacred wilderness--God's fingerprint, there in the Catskills or the Grand Canyon. This would be faithfully preserved by photographers, like Ansel Adams at Yosemite. But 20th century painters from Dove and Hartley through Pollock conveyed them into more modern idioms, often with great power and poignancy. Landscape, in fact, was the matrix in which most of the impulses of American abstract art, except for its weaker strand...
...second image field arose from a fascination with the power of the diametric opposite of nature--industrial imagery, seen as the essence of 20th century experience and as belonging more vividly to America than to any other place. If God was present in the mountain lake, he could also be uneasily satirized as a plumber's grease trap by the New York Dadaist Morton Schamberg; if sublimity was in the mountains, it was also in the skyscrapers of New York City and in the relentlessly massed geometric forms of the Ford auto plant at River Rouge, Mich., which Charles Sheeler...