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Roger Ebert has taken perhaps a less esteemed path, but has no doubt played an elemental role in the success of some of the greater films of the past few years; his ardent advocacy of City of God, Lost in Translation and Y Tu Mamá También helped elevate what might have been six-figure art-house bombs to veritable box office successes. He often recommends ultra-mainstream spectacles as well, but that is a necessary burden that accompanies the position of head critic at a heavily circulated newspaper. The important point is not that he gave Ella...

Author: By Ben B. Chung and Ben Soskin, CRIMSON STAFF WRITERSS | Title: Does Roger Ebert Matter? | 4/23/2004 | See Source »

...plot, however, Ozu’s movies are special for their interest in color—in this case, red (Ozu’s favorite color)—and philosophy, which is expressed by the slowly enlightened father: “Everyone is inconsistent now and then, except God. Life is full of inconsistencies. The sum total of all the inconsistencies of life is life itself.” 9:30 p.m. on Saturday. 7 p.m. on Sunday. Harvard Film Archive...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

...mind being imprisoned for a crime she committed, later following her across France to Bordeaux’s Hotel Splendide. A crop of rabid aristocrats have also gathered at the Splendide to escape the madhouse of Paris and badger the wait-staff nonstop for rooms—God forbid they sleep in their cars, with their suitcases and hatboxes! Serendipity and coincidences abound in Bon Voyage—but then everyone’s running around so frantically that it would be impossible for them not to bump into each other at the most opportune, or most inopportune, moments...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

Tight budgets have led to some strange choices in the past. Artists who have performed at Springfest range from bands well past their peak, like the Violent Femmes in 1999, to novelty acts, like Big Bad Voodoo Daddy in 2000, to downright bewildering choices, like God Street Wine...

Author: By Nathaniel A. Smith, CRIMSON STAFF WRITER | Title: Springfest Grows Up | 4/23/2004 | See Source »

...Apprentice” has revealed to most Americans how fame can be created and manipulated, changing what we admire about those who reach the top rungs of the celebrity ladder. J. Lo, for example, is a purely modern phenomenon, admired not for her music or god-awful recent movies, but because she is so undeniably crafty at using the media to her advantage. For most pop culture consumers, seeing how long she can hang on to her position is part of the fun of watching her (and certainly a lot more fun than watching Maid in Manhattan or Gigli...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: The Art of the Hollywood Resurrection | 4/23/2004 | See Source »

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