Word: godot
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...runs through Chan’s visual work. In “5th Light,” one of Chan’s “easy” pieces, shadows projected on the floor float in a triangle of light. Like the bare text of “Godot,” the shadows allow the viewer to access something that cannot be faced straightforwardly. “Some things we simply cannot look at directly,” Chan said, but with shadows, “we learn what it means to not look at something directly...
...investigating detectives. It is a police procedural straight from the precinct of hell. It is also as bravura a display of novelistic mastery and as devastating a reading experience as you are likely ever to encounter. By the time Archimboldi does show up in Part 5, a belated Godot, we are very far past the possibility of any redemptive epiphany...
...Haas. It is a police procedural straight from the precinct of hell. It is also as bravura a display of novelistic mastery, and as devastating a reading experience, as you are likely ever to encounter. By the time the novelist Archimboldi does show up in Part 5, a belated Godot, we are very far past the possibility of anything resembling a redemptive epiphany. The world of 2666 has been irretrievably shattered...
...Gate Beckett," which ended a brief, triumphal run on Sunday, is a welcome addendum to the 1996 banquet of all 19 works he wrote for the stage, from the full-length Waiting for Godot, Endgame and Happy Days to the 40-second Breath. That two-week event provided New Yorkers with what may have been their greatest theatrical experience of the decade. This time the Gate's artistic director, Michael Colgan, presented three pieces from Beckett's writing for other media: TV, for Eh Joe (Neeson), the short story, for "First Love" (Fiennes) and the novel: Barry McGovern's tour...
...plays also reinforced the argument that Beckett was, in large part, a comic writer: unquestionably deadpan but characterized by (his phrase, from Happy Days) "laughing wild amidst severest woe." Godot is really a spectacle of mordant vaudeville; the role of Estragon in the first Broadway production was taken by that comic Cowardly Lion, Bert Lahr; and in a 1988 Lincoln Center revival, directed by Mike Nichols, the stars were Steve Martin and Robin Williams. The set up to the play's gag: they wait for Godot. The punch line: he doesn't show up! Maybe this is concept comedy...