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Forecasters scanning the horizon for an economic recovery have begun to feel a bit like Vladimir and Estragon, those frustrated characters in the play Waiting for Godot who keep expecting something that never happens. Now in its 18th month, the recession has been a longer-running and more tragic drama than almost anyone originally predicted. For that reason, the TIME Board of Economists was extraordinarily cautious as it met last week in New York City to survey the outlook for the new year. The economists expect the recovery to begin during the first quarter of 1983, but rarely have they...

Author: /time Magazine | Title: The Elusive Recovery | 12/27/1982 | See Source »

Even talking to himself, Coward avoids garishness, vulgarity and commonness of mind, and references to his own sex life are usually oblique and always discreet. In one entry, in which he takes a splenetic swipe at Samuel Beckett's Waiting for Godot ("pretentious gibberish"), he goes on to attack Mary Renault's The Charioteer. "Oh dear," he says, "I do, do wish well-intentioned ladies would not write books about homosexuality. It takes the hero - soidisant - 300 pages to reconcile himself to being queer as a coot, and his soul-searching and deep, deep introspection is truly awful...

Author: /time Magazine | Title: Books: Mad Dogs and Blithe Spirits | 10/11/1982 | See Source »

Mark Linn-Baker), whom McAnuff apparently fantasizes as clones of Waiting for Godot's Estragon and Vladimir. Stage left features the ornate living quarters of the Red Dragon, Manfred Von Richthofen (John Vickery), who is sometimes joined by his adjutant (Jeffrey Jones) and a swishy fellow pilot in the Flying Circus named Hermann Goering (Bob Gunton...

Author: /time Magazine | Title: Theater: Slain Dragon | 8/9/1982 | See Source »

...FURTHER the essays wander into this sort of nihilistic agonizing, the weaker they become. One pitfall of utter pessimism is that, properly approached, it appears all-encompassing--everything connects, from genocide to boredom to Samuel Beckett's Endgame and Godot. Cantor's penchant for citing his predecessors aggravates the problem. He quotes Norman O. Brown on Hegel in reference to Beckett's plays to bolster his own assertion, not explained further, that "time is negativity"; he quotes Frederic Jameson on Ernst Block on Marxism. Two comments on Beckett are separated by the sentence, "Krazy Kat hopes that someday Ignatz Mouse...

Author: By Amy E. Schwartz, | Title: Beyond History and Lit | 3/13/1982 | See Source »

...then by accident. "I happened to carve a piece of wood that had fallen off a chair," he recalls. "I didn't really know how to carve, but as a scriptwriter I had been influenced by the French theater of the absurd, especially Beckett's Waiting for Godot and Ionesco's The Bald Soprano. So I decided to try to carve a kind of theater of the absurd in wood." Though many foreigners and Chinese alike have been impressed by the energy and originality of his work, he is not recognized as an official artist...

Author: /time Magazine | Title: CHINA: We Learned from Our Suffering | 11/10/1980 | See Source »

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