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In the front of the room, under a hanging portrait of the god Shiva that Eck borrowed from the Fogg Museum, the students set up an altar to display silver figures of the three gods most associated with the festival—Lakshmi, Sarasvati and Durga—as well...

Author: By T. JOSIAH Pertz, CONTRIBUTING WRITER | Title: Students Celebrate Hindu Festival of Lights | 11/15/2004 | See Source »

With an Oscar nomination for writing 2002’s “it” movie, Chicago, and an Oscar win and two nominations for his under-appreciated masterpiece, Gods and Monsters, Bill Condon is quickly becoming the P. Diddy of American Cinema: with every work he drops at...

Author: By Bryant Jones, CONTRIBUTING WRITER | Title: Condon’s ‘Kinsey’ Report | 11/12/2004 | See Source »

With Gods and Monsters, a fictionalized biography of the last days of Frankenstein director James Whale, and Kinsey, Condon aligns himself with the great pantheon of directors like John Ford, Douglas Sirk and Francis Ford Coppola who bring auteurist pizzazz to classical Hollywood filmmaking structures.

Author: By Bryant Jones, CONTRIBUTING WRITER | Title: Condon’s ‘Kinsey’ Report | 11/12/2004 | See Source »

This style of filmmaking is obviously very appealing to Condon, particularly in Gods and Monsters and Kinsey, “because it so reflects the time in which they’re happening and then taking that and obviously reinventing it. You sort of wanna both look to reflect your...

Author: By Bryant Jones, CONTRIBUTING WRITER | Title: Condon’s ‘Kinsey’ Report | 11/12/2004 | See Source »

A Dance of the Forests is described by the Academy as “a kind of African Midsummer Night’s Dream with spirits, ghosts and gods. There is a direct link here to the indigenous ritual drama and to the Elizabethan drama.”

Author: By Andrew C. Esensten, CRIMSON STAFF WRITER | Title: Nobel Winner On Survival | 11/12/2004 | See Source »

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