Search Details

Word: godunov (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...role implied. Although Pinza could barely read music, he had a prodigious musical memory and a bone-deep sense of musical taste. He labored over makeup and stage business-he once spent hours hurling himself to the floor of the Met's stage to learn how Boris Godunov should die. At a few hours' notice he could move through any one of half a hundred roles with the reflex authority of a fine ballplayer...

Author: /time Magazine | Title: Music: The Great Basso | 5/20/1957 | See Source »

...viewer hover over the fingers of Guitarist Andres Segovia and Pianist Artur Rubinstein, linger in closeup on the intense face of Marian Anderson, share the lilt of Verdi's La Traviata with Victoria de los Angeles, stand amid the powerful climax of Mussorgsky's Boris Godunov, superbly acted and sung by Bulgaria's Boris Christoff. Festival showed, far more eloquently than in its first edition ten months ago, that TV can add to music a certain intimate magic, and even some musical values not available in concert halls. There are probably millions of viewers who find...

Author: /time Magazine | Title: Television: Kudos & Cholers | 12/24/1956 | See Source »

...their first chance to hear famed Bulgarian Basso Boris Christoff and beauteous Turkish Soprano Leyla Gencer. Gencer, loved at first sight, was the modest and moving star of Zandonai's rarely heard Francesco, da Rimini; Christoff, playing his temperament to the hilt, was almost the ruination of Boris Godunov...

Author: /time Magazine | Title: Music: San Francisco's Coup | 10/8/1956 | See Source »

...exciting, noisy spectacle. In the movie there is no doubt about Boris Godunov's guilt in the murder of Prince Dmitri: "Holy Russia groans under the guilty rule of an accursed regicide." Boris is the first to voice his own guilt. He makes his shame explicit in introspections which he carries on at the top of his lungs. Most of the other actors are no more pretentious about the "dramatic" roles...

Author: By Jonathan Beecher., | Title: Boris Godunov | 10/1/1956 | See Source »

...others are loudly verbalizing their predicaments or laying cluttered schemes, I. Koslovsky, as the fool, offers the film's most subtle performance. He appears just twice--first to accuse Boris in a soft, demented idiot's song and then at the end to lament Russia's unrule. Boris Godunov has come and gone, Dmitri has left the land in flames and he, too, will soon be murdered; nothing has changed...

Author: By Jonathan Beecher., | Title: Boris Godunov | 10/1/1956 | See Source »

Previous | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | Next