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What is shocking is how bad the majority of these films are. Armageddon, Deep Impact and Godzilla cleared over $100 million each at the box office. Godzilla, which took in over $130 million according to Rolling Stone magazine, is the worst film that I have ever seen. Even The Waterboy is less than mediocre, as Adam Sandler's zany nonsequitur humor takes a back seat to highly physical comedy. Too many directors seem to have forgotten George Lucas' advice, that "special effects without a story is a pretty boring thing...

Author: By Alex Carter, | Title: Where Did the Plot Go? | 12/14/1998 | See Source »

Story lines have become so formulaic that studios are recycling old stories at a record rate. Sometimes they try to trick us by changing the title (The Prince of Egypt), and other times they unabashedly flaunt their lack of originality (Godzilla, Psycho...

Author: By Alex Carter, | Title: Where Did the Plot Go? | 12/14/1998 | See Source »

...rock. No roaches like the ones we met in Watergate or Irangate scurried out. But he did find a weevil of a sexual indiscretion. With the impatience of a Kurosawa, he shouted to his minions to roll the camera. He zoomed in on the weevil; it turned into a Godzilla; and he unveiled it to the public. The production cost was dizzying millions if you account for the man-hours lost in looking at the weevil morphed into a monster. NARAYAN RAMACHNADER Chennai, India...

Author: /time Magazine | Title: Letters: Oct. 26, 1998 | 10/26/1998 | See Source »

...same. In its eagerness to shed some of its vaunted intellectualism, France is trying on a newer look. To cackles of delight and a few clucks of disapproval, officials in the City of Light are planning to transform their revered Eiffel Tower into a gigantic Christmas tree, adorned with Godzilla-size ornaments, for Noel...

Author: /time Magazine | Title: Where Will You Be...December 31, 1999? | 10/5/1998 | See Source »

Nowadays, everything in the movies is big. "Size does matter," and "bigger is better" are the two mantras which drive every new flick churning out of Hollywood's blockbuster factory. Godzilla and Armaggedon are the obvious examples--but the trend is beginning to infiltrate the once safe genres. What Dreams May Come, for instance, opens in theaters today with a love story that crosses both heaven and hell in order to make audiences feel. Do we really need perpetual "eye candy" to tell a story? Or more importantly, can a pure human drama still affect...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Real Life Takes Center Stage in 'One True Thing' | 10/2/1998 | See Source »

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