Word: goer
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Dates: during 1970-1979
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...publicity-the Euphronios krater, the Velásquez Juan de Pareja. But the Met is above all an encyclopedia. Its 18 departments cover virtually every kind of art ever created. So there is a great deal in the show that will be unfamiliar to even the most assiduous Metropolitan goer, and the general level is high. One would have to travel a long way east of New York to find objects comparable, in their fields, to the Met's tiny sphinx of Amenhotep III, modeled in a faïence of such dazzling blue that even in a glass...
...just fine--when we're ready for it to work. In the meantine, though, the emotions of the various people involved in performing the number are protected while I work on the material that's really important, the material that I'm not sure about. Now the theater-goer pays a price for these delays, unfortunately, but that's what's called trying...
...help thinking it does," Kinsley says. In his own essay Kinsley says he gently ribbed his religious background and discovered to his horror that a member of his committee was what he calls "a real holy-roller type." They brought Kinsley back, and the active church-goer asked him if he wished to retract his comment about religion. Kinsley says he was in rather a quandary, because he could not decide whether to make the man happy or stick by the reference, which, after all, he hadn't really taken seriously when he wrote it. But he decided that...
Bozer made another apology to the audience Saturday night--this time for the disruption. The film society--and a lot of other people in the University--seemed to feel that stopping the film was a serious violation of freedom of expression and that any film-goer would be discriminating enough to see the racist elements in the film--especially a Harvard audience. Bozer said later he feels, "the common man in America doesn't really need a lot of background information for judging the film; we don't give him enough credit. The film can stand on its own merits...
...would dispute the claim that The Towering Inferno is popular art, so I'll defend my assertion that it's good art as well. One red herring--the director. Irwin Allen--needs to be disposed of right away. Auteurist orthodoxy is so much a part of the serious movie-goer's mental baggage that the idea of a good film being produced by an awful director seems a contradiction in terms. And Allen has compounded the problem by acting like some Cahiers du Cinema reader's idea of a Big Bad Hollywood Producer. Allen told the august Arts and Leisure...