Word: goething
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...already -- and this is creepy, considering the quicksilver brutality of his Goeth -- a burgeoning sex symbol. Doughy and dark in the movie or slim, handsome and smiling in person, Fiennes, 31, is the improbable hunk...
...real Amon Goeth was no hunk. But he was an artist of evil -- grandly deranged, creatively sadistic. He would set his dogs on children and watch them be devoured. "The people he whipped," Fiennes says, "had to keep count of the strokes. If they lost count, the whipping started from the beginning...
...Amon Goeth, commandant of the Plaszow death camp, strides into the basement of his barracks mansion and sees his maid, the lovely Jewish internee Helen Hirsch (Embeth Davidtz). He had chosen her as window dressing for the mausoleum he runs, but her strength and grace have touched him. For a crucial moment, on the face of actor Ralph Fiennes, evil pauses to consider itself. Could I have a decent feeling? Could I love this base creature, this beautiful thing, this Jewess? Just as quickly, and subtly, Fiennes' face tells us no. Goeth's fists flail out, not so much...
Fiennes is as reluctant to discuss his personal life as he is ready to analyze Goeth's. But it is no state secret that he was born in Suffolk, eldest of the six children of Mark Fiennes, a farmer turned photographer, and his wife, Jini a novelist and travel writer who died last year. His family moved often, and the boy was educated by Episcopalians, Catholics, Quakers and his mother. After graduation from London's Royal Academy of Dramatic Art, he rocketed through the British repertory system. Then he attracted the best kind of attention: Spielberg...
...director saw Fiennes in the TV film A Dangerous Man: Lawrence of Arabia and then in a remake of Wuthering Heights. "His Heathcliff," Spielberg says, "was a feral man, a kind of grownup Wild Child." He met Fiennes and tested him for Goeth. "Ralph did three takes. I still, to this day, haven't seen Take 2 or 3. He was absolutely brilliant," the director says. "After seeing Take 1, I knew he was Amon." In Fiennes' eyes, Spielberg says, "I saw sexual evil. It is all about subtlety: there were moments of kindness that would move across his eyes...