Word: goetz
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...truth, I think they're probably right. I remember the vicious crowd waving signs outside serial killer Ted Bundy's execution--signs of the "Burn, Bundy, Burn" and "Bundy BBQ" variety. Even more than Faces of Death, killing bad guys appeals to our basest instincts. That's why Bernie Goetz became such a hero. That's why Gov. Douglas Wilder (D-VA), an opponent of the death penalty, has decided that his political ambitions would be destroyed by granting clemency to convicts on Death...
...eight straight years, New York City had been pounded with one act of racial violence after another. 1982: Willie Turks, a black transit worker, is beaten to death by a mob of whites shouting racial slurs. 1984: Bernhard Goetz wounds four young blacks he said were menacing him on the subway. 1986: a white mob in the Howard Beach section of Queens attacks several blacks, one of whom fled in panic onto a highway and was killed by a passing car. 1989: a 28- year-old white executive is beaten and raped in Central Park by a pack of black...
...Davis created a third portrait of Mandela on a midnight Friday deadline. "This was unlike anything I have ever done before," says the artist, who also illustrated TIME's covers of Captain Joseph Hazelwood and Bernhard Goetz. "Usually there is a lot more information to work with. But the problem is still the basic one: How do you create a portrait faithful to the person...
...parade had begun. When his wife Dorothy Goetz died in 1912, Berlin poured out his grief in his first real ballad, When I Lost You. The Ziegfeld Follies of 1919 brought forth A Pretty Girl Is Like a Melody; 1924 saw both the tenderly brooding What'll I Do? and the valse triste All Alone. His courtship of heiress Ellin Mackay, granddaughter of an owner of the Comstock Lode, was breathlessly followed in the press, and their secret marriage in 1926, over her father's vigorous objections, made headlines. It also made standards like Always...
...Mitchell Anderson are convincing as the sister-brother act. Director Joseph Sargent traces their rise to fame in brisk if superficial strokes. The film (which lists Richard Carpenter as executive producer) is blunt about the troubles the young stars faced: overprotective, underaffectionate parents (Louise Fletcher, Peter Michael Goetz), Richard's drug problems, Karen's growing obsession with losing weight. The scrubbed duo make drug abuse look positively wholesome, but the movie deftly grafts the morbid thrills of a disease-of-the-week drama onto a traditional show...