Word: gogh
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Dates: during 1980-1989
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...instant." Two months after writing this, he voluntarily entered the lunatic asylum at Saint-Remy in Provence; and 15 months after that, discharged but still plagued by unassuageable fits of melancholy, he shot himself to death in the rural village of Auvers, just north of Paris. Van Gogh was 37 when he died -- at the same age, it has often been noted, as Raphael, Caravaggio and Watteau, and with an oeuvre no less brilliant than theirs...
...great Van Gogh exhibition in 1984 tracked the artist's career from his arrival in Arles to the spring of 1889. Its successor, "Van Gogh in Saint-Remy and Auvers," which opens to the public this week, completes the trajectory. The organizer of both shows, the English art historian Ronald Pickvance, has brought together 70 paintings and 19 drawings from this last phase of Van Gogh's short life. Here we see the stuff of the most powerful legend of suffering and transcendence in modern art, and no superlatives seem apt to encompass its beauty and emotional range...
...longer Van Gogh stayed in Provence the closer he thought he got to its "essence": its high tender color and sometimes violently modeled forms, its archaic antiquity and, above all, its light. In Arles the initial shock of the landscape, impacted in citron and chrome yellows, had dominated his palette. But once he was inside the asylum at Saint-Remy, a different and more reflective way of looking at the landscape around him took over. "What I dream of in my best moments," he wrote, "is not so much striking color effects as once more the half-tones...
...that he could see it better, because neither the coloring nor the scenes bears much resemblance to the stark cinematography in the film. If I did not know the creator's name, I might think this book was the work of some mad German Expressionist who overdosed on Van Gogh paintings and samurai movies. A really good mad German Expressionist, I should...
...dollars in Marcos assets. There were signs at the 66th Street town house, formerly the Philippine consulate, that the choicest goodies had been lifted: empty jewel boxes whose satin linings still bore the impress of glinting valuables, and clean blanks on walls where paintings by Picasso, Monet, Van Gogh and Goya had hung. Over the decade, Mrs. Marcos' New York City purchases alone topped $100 million...