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...revolt against all the ready-made standards of beauty and proportion handed down year after year by the powerful Art Students League. Davis' next teacher was the 1913 Armory Show, which he saw when he was not yet 20. It was sheer emancipation to see that Van Gogh and Gauguin used color, not as nature had it, but almost arbitrarily in accordance with artistic instinct. Davis also discovered that "cubism allowed you to form the concept of the object as you saw it from different views." When he had absorbed the show, he knew what direction he would take...

Author: /time Magazine | Title: Art: Blaring Harmony | 5/18/1962 | See Source »

...splashes and splotches, drippings and oily rag montages of contemporary art are commonly explained by their producers as deep self-expression of their innermost being--a goal they gain largely from the works of Vincent van Gogh. But self-expression has sadly declined since the 1880's and van Gogh...

Author: By Michael S. Gruen, | Title: Vincent van Gogh | 4/9/1962 | See Source »

...several score paintings and drawings now at the Museum of Fine Arts--a small fraction of van Gogh's total production--probably contain more of the artist than any other painter before or since has been able to impart. Vincent gave everything he had to his paintings. But more important, unlike most contemporary exponents of self-expression, he communicated what he expressed. He made his viewer sense the same vigor which he himself possessed...

Author: By Michael S. Gruen, | Title: Vincent van Gogh | 4/9/1962 | See Source »

...current exhibit consists almost exclusively of works from the V.W. van Gogh Collection at the Stedelijk Museum of Amsterdam; this country has seen few of them except in reproduction. Drawings constitute close to one half of the show. It was with drawings that Vincent started his career: they are tremendously powerful, he employs the same angular lines as in his paintings, and his later sketches achieve the same movement. But color is van Gogh's true medium...

Author: By Michael S. Gruen, | Title: Vincent van Gogh | 4/9/1962 | See Source »

...work of the greatest artists reveals "the musical universe of the mind to which they force nature to submit," Vercors maintained. He gave as an example the landscapes of Van Gogh, in which the artist expresses "the painful feeling of rebellion to the point of madness...

Author: By Efrem Sigel, | Title: Vercors Explains Art as Rebellion | 1/11/1962 | See Source »

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