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...color violently heaped and stirred. Sometimes it is a brutally simple likeness of man, woman, or beast; more often it resembles nothing at all. Typical Appels invariably shock the stuffy and are treated as sacred objects by the faithful, who call him the greatest Dutch artist since Van Gogh. An uncommitted man from Shqipni or Shush might view them simply as decoration of the most exuberant sort...

Author: /time Magazine | Title: Art: The Big Appel | 12/7/1959 | See Source »

...Continent--to find a better 19th century collection this summer." For those readers who prefer deeds to words, a rather partial inventory of the collections shows: 12 water-colors and drawings by Cezanne, and oils by the following: Gauguin (1), Monet (3), Picasso (3), Modigliani (2), Renoir (4), Van Gogh (3), Degas (2), Rousseau (1) and Toulouse-Lautrec...

Author: By Michael C. D. macdonald, | Title: Summer Art: Prakash, Pearlman, Wertheim, Warburg, Kahn; Museum Director, Four Major Collections Visit Harvard | 7/9/1959 | See Source »

...Pearlman Collection continues upstairs in Gallery XVII, which it shares with works from the Fogg's 19th century collection. Up here, the range and quality of the works is extremely impressive. Van Gogh's famous Tarascon Diligence is still a fresh visual experience upon its first encounter; its use of heavy brushwork, vividly dominant colors and incised outlines are Van Gogh at his best. Only an awkwardly distorted ladder disturbs this great masterpiece. Next to this work are a small and good Renoir Nude and a very fine Woman in a Round Hat by Manet...

Author: By Michael C. D. macdonald, | Title: Summer Art: Prakash, Pearlman, Wertheim, Warburg, Kahn; Museum Director, Four Major Collections Visit Harvard | 7/9/1959 | See Source »

...goes en bloc to the Fogg) is also on view upstairs at the Fogg, where its future owners have complemented the collection's brilliance with a well-balanced, elegantly proportioned, and grandly spaced installation--which looks good from any spot. The 19th century gallery is particularly impressive with Van Gogh's Self Portrait, the primus inter pares of the lot. The brilliant lime-green brushwork which forms a halo around the artist's head is both economical and expressive and the demonic eyes with yellow pupils, the red defining lines of the nose and mouth, and the curious (and heavily...

Author: By Michael C. D. macdonald, | Title: Summer Art: Prakash, Pearlman, Wertheim, Warburg, Kahn; Museum Director, Four Major Collections Visit Harvard | 7/9/1959 | See Source »

...still widely copied, from the tight-fitting, brimmed hat in a 15th century painting by Roger van der Weyden. She designed a line of successful "chessmen" hats after seeing a show of old chessmen at New York's Metropolitan Museum. She has derived yellow bonnets from Van Gogh, beige pillboxes set with seashells from Gauguin, bright-colored squares from Painter Mondrian...

Author: /time Magazine | Title: Business: SALLY VICTOR | 3/30/1959 | See Source »

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