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...full out for Stallknecht's work, describing her as "a 'natural'; she puts things down on canvas with unhesitating directness, as if reality guided her brush. But her realism is never merely photographic. Sometimes her patterns take on an expressionistic freedom, with pronounced rhythms, suggesting Van Gogh-or, nearer home, Marsden Hartley. But such parallels, probably coincidental, do not affect the authentic originality...

Author: /time Magazine | Title: Art: Christ on Cape Cod | 9/9/1957 | See Source »

...Posing as a struggling artist (there were several in the building), the spy hung the studio walls with his own well-executed paintings-a wide-hipped nude, Harlem street scenes, an oil portrait that markedly resembled Khrushchev-stocked up on mystery novels and books on Degas and Van Gogh, sipped his brandy neat at the nearby Music Box bar. He read the local papers and, occasionally, The New Yorker. Sometimes he helped the building janitor make wiring repairs. Said one bemused neighbor later: "He didn't look as if he had a nickel. You'd never take...

Author: /time Magazine | Title: ESPIONAGE: Artist in Brooklyn | 8/19/1957 | See Source »

...Blocks' opulent, near-northside apartment, hung with the works of Picasso, Matisse, Bonnard, Vuillard, Degas, Van Gogh and Manet, the new portrait of the lady of the house last week had the place of honor. Albright's Mary Block (see cut) sits in a phosphorescent glow by a cluttered table with a clock turned away from her (because she was a clock watcher at sittings, and, Albright quips, "it makes the painting timeless"), grim, bejeweled, glaring back at her beholders, a macabre vision tinted with a pale green note of decay...

Author: /time Magazine | Title: Art: More Than a Portrait | 7/22/1957 | See Source »

Room for the Divine. The revived interest in Mondrian has revealed that before he became a dry, ascetic perfectionist, he had an intense, emotional youth remarkably similar to the early years of another great Dutch painter, Vincent van Gogh. Like Van Gogh, Mondrian had a strict Calvinist father, early sought to establish spiritual contact with Holland's rough peasants, underwent a period of religious fervor that nearly swept him into the ministry. Mondrian, too, was a painter of the Dutch farm countryside, who gradually increased the intensity of his colors until they glowed with slashes of crimson, cobalt blues...

Author: /time Magazine | Title: Art: MONDRIAN & THE SQUARE | 6/24/1957 | See Source »

...Gogh's age when he committed suicide) Mondrian had almost paralleled Van Gogh's artistic progress. The catalyst that changed Mondrian was his discovery of cubism. (He simplified not only his style but also his name-from Mondriaan.) While he had previously drawn trees that were obviously trees, he now produced the segmented Apple Tree in Bloom (see color page), a lyric, rhythmic design of orchestrated nuances and subtle harmonies. Even more dramatic evidence of his progression lies in his rare self-portraits: in 1900 he saw himself as a religion-seeker, with deep, glowing eyes (a pose...

Author: /time Magazine | Title: Art: MONDRIAN & THE SQUARE | 6/24/1957 | See Source »

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