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Lust for Life. Perhaps the finest film biography of an artist (Vincent van Gogh) ever made in Hollywood; almost a hundred of Van Gogh's paintings are shown in full, fulminating color on the screen; with Kirk Douglas (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Dec. 3, 1956 | 12/3/1956 | See Source »

Lust for Life succeeds both as a presentation of Vincent Van Gogh's life and of his paintings. Successful portrayal of any great artist merits respect, but perhaps even additional praise is due that of Van Gogh, a man of unusual interest and complexity...

Author: By Cyril Ressler, | Title: Lust for Life | 12/1/1956 | See Source »

From Fogg to Moscow, Van Gogh's paintings were sought and photographed. The camera could not adequately show his thick daubs of paint, but it does capture his magnificent coloring, including the electric yellows with which he described a world he thought illuminated by the brilliant light of God and His sun. Cinemascope and Metrocolor are also superbly used to recreate the scenes of his paintings. They trace his life from the family home in Holland to Borinage coal district in Belgium, where he served as a minister, and finally to sun-swept Arles where, during one of his attacks...

Author: By Cyril Ressler, | Title: Lust for Life | 12/1/1956 | See Source »

Kirk Douglas is surprisingly satisfactory as Van Gogh, but there remains too much of the healthy, composed sensualist in his bearing. And he sometimes is not quite able to convey Van Gogh's frightening intensity. Anthony Quinn is excellent as Paul Gauguin, one of Van Gogh's few friends, but one-time stockbroker Gauguin was not so savage as he is shown in Lust for Life. The other acting is generally commendable, especially that of James Doland, who plays Van Gogh's brother Theo, a Paris art dealer who was the only person that thought Van Gogh a great artist...

Author: By Cyril Ressler, | Title: Lust for Life | 12/1/1956 | See Source »

...only major dramatic fault is a lack of continuity between the various scenes, but this is, to some extent, unavoidable in a work of this scope. It is partly remedied by the extensive use of Van Gogh's letters to his brother. The movie does not greatly misrepresent Van Gogh, and fortunately focuses more upon the man as an artist than upon his mental aberrations. Lust for Life is a highly satisfying movie biography and art film...

Author: By Cyril Ressler, | Title: Lust for Life | 12/1/1956 | See Source »

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