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Shahn was more interested in the conscious ideas of the artist and in what he was trying to express; the love of people and things in Van Gogh's work for example, rather than the artist's insanity...

Author: By Lowell J. Rubin, | Title: Shahn Sees Strife In Image and Idea | 11/21/1956 | See Source »

Lust for Life. Perhaps the finest film biography of an artist (Vincent van Gogh) ever made in Hollywood; almost a hundred of Van Gogh's paintings are shown in full, fulminating color on the screen; with Kirk Douglas (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 19, 1956 | 11/19/1956 | See Source »

Lust for Life. Perhaps the finest film biography of an artist (Vincent van Gogh) ever made in Hollywood; almost a hundred of Van Gogh's paintings are shown in full, fulminating color on the screen; with Kirk Douglas (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 12, 1956 | 11/12/1956 | See Source »

Lust for Life. Perhaps the finest film biography of an artist (Vincent van Gogh) ever made in Hollywood; almost a hundred of Van Gogh's paintings are shown in full, fulminating color on the screen; with Kirk Douglas (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 5, 1956 | 11/5/1956 | See Source »

...instance, at MIT an experimenter has built a machine that can "reproduce" the work of any artist, whose style is distinctly recognizable. By giving the machine an electronic "character," the builder can make it paint a Rembrandt or a van Gogh that stumps the experts. But there are definite limits to these potentialities. As Batteau points out, three months of human experience is enough information to saturate a computer the size of the Earth for as long as the machine could last...

Author: By Andrew W. Bingham and Robert H. Neuman, S | Title: Science Fiction Does Not Mean Spaceship Cowboys | 11/2/1956 | See Source »

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