Word: gogh
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...face with reality, 16th century Matthias Grünewald's famed Crucifixion on the Isenheim altar ("I believe it is the greatest German picture ever painted"). Modern existentialism in art, he says, begins with Cézanne and penetrates to "the depths of reality" in pictures like Van Gogh's Starry Night...
...great painter, he was a master draftsman. Even in the madhouse, he drew a set of circus pictures with a ringmaster's eye for a false move. His latest biographers (husband-and-wife team of Lawrence and Elisabeth Hanson, who have also done Gauguin and Van Gogh) have sketched a watercolor rather than a lithograph. But they are at pains to correct the legend fixed in the moviegoing imagination by Actor José Ferrer in Moulin Rouge of pet and amateur pimp to the madams and sporting types of Montmartre. Dwarfed Henri was not a refugee from a name...
...theme of our time . . . truly astounding." Part of the critical hubbub rose from the fact that Author Wilson, just turned 25, shows a staggeringly erudite grasp of the works and lives of Bernard Shaw, Nietzsche, Tolstoy, Dostoevsky, William Blake, George Fox, H. G. Wells, Henri Barbusse, Hermann Hesse, Van Gogh, T. E. Lawrence, Nijinsky, Sartre, Camus, Hemingway, T. S. Eliot, T. E. Hulme, Kierkegaard, Kafka, Gurdjieff and Sri Ramakrishna, not to mention many lesser figures. But what makes The Outsider a compelling intellectual thriller is that Author Wilson uses bits and pieces of these men and their literary progeny...
Superficially, says Wilson, the Outsider is just a social misfit, a "hole-in-corner man." In novels he sits in his room by the hour, spends days observing other men's lives. In real life an Outsider type like Van Gogh lived 29 of his 36 years before he knew himself to be a painter. In a sense, the Outsider is a man waiting for his authentic vocation. But why does he turn in disgust from the "practical" house, wife-and children-minded world of his "bourgeois" (no Marxist connotations) fellow man? For Wilson, Nijinsky summed...
...figures (both male and female) in his most celebrated painting, The Sacred Wood. Other assignments soon followed. Auguste Renoir used her as the model for his contrasting pictures, Country Dance and City Dance. Toulouse-Lautrec's drawing of her, Gueule de Bois (The Hangover), so attracted Van Gogh that he wrote his brother, eagerly inquiring: "Has De Lautrec finished his picture of the woman leaning on her elbows on a little table...