Word: gogh
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...Normal" people discredited Rembrandt, misunderstood El Greco, reviled Blake, ignored Cézanne, drove Van Gogh to suicide and Gauguin into exile...
...Street residence in 1939. Its Modern Architecture exhibit (1932) was the most comprehensive view of such workers in the International Style as Germany's Walter Gropius, France's Le Corbusier, the U.S.'s Raymond Hood. In 1935, it successfully arranged the American canonization of Vincent van Gogh. In 1936, its Cubism and Abstract Art show was a glamorously complete record of the quarter-century since that September Morn of cubism: Marcel Duchamp's Nude Descending a Staircase. In later shows the Museum assembled Fantastic Art, Dada, Surrealism, the works of Picasso. Over the years...
...highly neurotic, misogynous, inward-turning artist who led the revolt of the '90s against the formal, detached, analytical approach of the French Impressionists. Munch and his followers, trying for the highest degree of personal, emotional expression, deliberately set out to step up the passionate style of Vincent van Gogh. Munch's first one-man Berlin exhibition, in 1892, contained 55 screechingly colored, cacophonously designed canvases. Munch's best-known Expressionist contemporaries were Emil Nolde, Max Pechstein and Karl Schmidt-Rottluff...
Decker's show consisted of 16 eclectically painted portraits, landscapes, character studies. (Habitually, Decker paintings look as if they had been done by somebody else: Van Gogh, Rouault, Utrillo, Toulouse-Lautrec, Daumier.) Said Painter Decker of this parodistic paroxysm: "I have no style because I don't believe in styles for an artist...
...peaceful Seine also drew foreigners. The self-mutilated genius Vincent Van Gogh, a Dutchman, painted the Seine's golden Bridge at Asniéres. From the U.S. came Painter Frank Boggs, from England (in 1817) the short-lived Bonington, who painted the exhibition's orange-tinted view of Mantes...