Word: gogh
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Every museum that proudly displays a Van Gogh has reason to be nervous. Curators in Amsterdam, preparing a definitive catalog for publication in the year 2001, have concluded that around 50 of the world's 900-odd Van Gogh's, or one in every 230, are forged or misattributed. Among the fakes identified so far: a seascape in the Ny Carlsberg Glyptothek in Copenhagen and a self- portrait in the Austrian National Galley in Vienna...
Eighty-two paintings by Renoir, Cezanne, Seurat, Van Gogh, Soutine and Matisse, among others...
Some artists drop through the cracks, and for a long time, it looked as though Walter Richard Sickert (1860-1942) was one of them. His retrospective at London's Royal Academy of Arts, curated by Wendy Baron and Richard Shone (until mid-February, then at the Van Gogh Museum in Amsterdam), is the first deep look at Sickert the British have had in almost 30 years. In America, he is virtually unknown. No museum has ever acknowledged him, and if you dip for his work into the big public collections, let alone the private ones, you will come up empty...
WHAT LUST? WHAT LIFE? NOT FOR MAUrice Pialat the gorgeously gaudy tones in which Hollywood paints the fine artist. The French writer-director's VAN GOGH is a portrait -- almost a still life -- of a somber fellow who is too busy creating masterpieces in the final months of his life to have time for melodramatic effects like lopping off his ear. In such films as Loulou and A Nos Amours, Pialat has sullenly railed against the strictures of French bourgeois life. In Van Gogh, he has found a kindred spirit; for both, artistic compromise is a crime against humanity. Jacques...
...modernism "primitivized" Johnson, as though a feedback loop were running from the Cubists' and Expressionists' use of tribal African art to a black artist in a Danish fishing village. "I myself feel like a primitive man," he told an interviewer in 1935, echoing the modernist founding fathers (Gauguin, Van Gogh), "like one who is at the same time both a primitive and a cultured painter." In essence, as the sculptor Martin Puryear points out in the catalog, European modernism let Johnson see himself anew; it provoked him into negotiating "his racial dilemma as a black artist moving between several worlds...