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Word: goghs (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Lust for Life. Perhaps the finest film biography of an artist (Vincent van Gogh) ever made in Hollywood; almost a hundred of Van Gogh's paintings are shown in full, fulminating color on the screen; with Kirk Douglas (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Oct. 15, 1956 | 10/15/1956 | See Source »

Lust for Life. Perhaps the finest film biography of an artist (Vincent van Gogh) ever made in Hollywood; almost a hundred of Van Gogh's paintings are shown in full, fulminating color on the screen; with Kirk Douglas (TIME, Sept...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Oct. 8, 1956 | 10/8/1956 | See Source »

Intensity & Tragedy. To photograph Van Gogh's original oils, M-G-M sought out the canvases of collectors and museums all around the world, including some of the masterpieces in Moscow's rarely seen collection (see color). Film crews shot on-the-spot takes of the Van Gogh family house in Holland, re-created some of the scenes he painted, retraced his footsteps from the Borinage to Paris and the sun-baked square at Aries...

Author: /time Magazine | Title: Art: VAN GOGH IN HIGH YELLOW | 9/24/1956 | See Source »

...film is best when it places the scenes that inspired Van Gogh next to sweeping CinemaScopic closeups of his paintings. Actor Kirk Douglas (whose natural red beard makes him look astonishingly like Van Gogh's self-portrait) and Anthony Quinn (splendid as the swaggering Paul Gauguin) at times manage to catch what Van Gogh called "the high yellow note" of painting intensity and the "electric arguments" about art which Van Gogh wrote left them "with our heads as exhausted as an electric battery after it is discharged." The film captures the fierce drive and bitter tragedy in the life...

Author: /time Magazine | Title: Art: VAN GOGH IN HIGH YELLOW | 9/24/1956 | See Source »

...Pictures Speak." A comparison of Moscow's Van Goghs (MGM received transparencies of them too late to include them in the film) makes clear, as the story does not, that Van Gogh's epilepsy halted his painting, but does not explain it. The Grape Harvest, painted in the buffeting mistral outside Aries before Van Gogh's first attack, is faithful to the glowing description he wrote his brother of a "red vineyard, all red like red wine. In the distance it turned to yellow, and then a green sky with the sun, the earth after the rain...

Author: /time Magazine | Title: Art: VAN GOGH IN HIGH YELLOW | 9/24/1956 | See Source »

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