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Word: goghs (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Blocks' opulent, near-northside apartment, hung with the works of Picasso, Matisse, Bonnard, Vuillard, Degas, Van Gogh and Manet, the new portrait of the lady of the house last week had the place of honor. Albright's Mary Block (see cut) sits in a phosphorescent glow by a cluttered table with a clock turned away from her (because she was a clock watcher at sittings, and, Albright quips, "it makes the painting timeless"), grim, bejeweled, glaring back at her beholders, a macabre vision tinted with a pale green note of decay...

Author: /time Magazine | Title: Art: More Than a Portrait | 7/22/1957 | See Source »

Room for the Divine. The revived interest in Mondrian has revealed that before he became a dry, ascetic perfectionist, he had an intense, emotional youth remarkably similar to the early years of another great Dutch painter, Vincent van Gogh. Like Van Gogh, Mondrian had a strict Calvinist father, early sought to establish spiritual contact with Holland's rough peasants, underwent a period of religious fervor that nearly swept him into the ministry. Mondrian, too, was a painter of the Dutch farm countryside, who gradually increased the intensity of his colors until they glowed with slashes of crimson, cobalt blues...

Author: /time Magazine | Title: Art: MONDRIAN & THE SQUARE | 6/24/1957 | See Source »

...Gogh's age when he committed suicide) Mondrian had almost paralleled Van Gogh's artistic progress. The catalyst that changed Mondrian was his discovery of cubism. (He simplified not only his style but also his name-from Mondriaan.) While he had previously drawn trees that were obviously trees, he now produced the segmented Apple Tree in Bloom (see color page), a lyric, rhythmic design of orchestrated nuances and subtle harmonies. Even more dramatic evidence of his progression lies in his rare self-portraits: in 1900 he saw himself as a religion-seeker, with deep, glowing eyes (a pose...

Author: /time Magazine | Title: Art: MONDRIAN & THE SQUARE | 6/24/1957 | See Source »

Today "Madman" Munch is recognized as Scandinavia's most powerful artist, one of the key founders of German expressionism, second in power only to Vincent Van Gogh, and on a par with Toulouse-Lautrec as a graphic artist. His work was first shown on a major scale in the U.S. seven years ago (TIME, May 1, 1950) ; the second major retrospective has already been an outstanding hit at Manhattan's Museum of Modern Art and Minneapolis' Institute of Arts, will travel over the coming twelvemonth to Chicago, Cincinnati and San Francisco...

Author: /time Magazine | Title: Art: Madman Munch | 6/17/1957 | See Source »

...Turkish Composer Nevit Kodalli's announcement that he was planning to put Vincent van Gogh on the operatic stage at first brought howls of protest from critics who believed that it was his duty to choose a Turkish theme. But most criticism ended with the first performance in Ankara. The libretto altered Irving Stone's fictionalized Van Gogh biography, Lust for Life, and reduced it to five scenes: London, in front of the house of Van Gogh's first love, who rejects him with a shout of "you redheaded fool"; Etten, Holland, in front...

Author: /time Magazine | Title: Music: Spring Opera | 5/20/1957 | See Source »

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