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...this summer, many of van Gogh's (1853-1890) portraits were spending their summer here in Boston at the Museum of Fine Arts, as part of Van Gogh: Face to Face. Although this exhibit left empty spaces in museums such as the Muse dursay in Paris and the Kršller-MŸller Museum in the Netherlands, it is significant in that it is the first exhibit ever to focus solely on van Gogh's portraits...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Impassioned Expressions | 9/22/2000 | See Source »

...Architecture to appreciate this show of over 70 portraits, arranged chronologically and curated nearly perfectly by a team drawn from the Detroit Institute of Arts and the Philadelphia Museum of Art as well as the MFA. Anyone stopping in for a brief peek will see not only van Gogh's growth as an artist but also something of van Gogh's personality, from his relationships to his personal philosophy...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Impassioned Expressions | 9/22/2000 | See Source »

Mention van Gogh and images of sunflowers, trees and the find-me-in-any-poster-shop 'Starry Night' (1889) come to mind. And while it is easy to be swept away by his lively French landscapes or his gorgeous renditions of flowers, van Gogh himself considered portrait painting a supremely important part of his work, writing to his younger sister...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Impassioned Expressions | 9/22/2000 | See Source »

...Gogh did not begin his life as an artist but as a preacher. The exhibit unfairly glosses over this fundamental decision and instead simply begins with a short biographical history and places his first drawings from 1881 and 1882, when he was living in The Hague, in the same room. This section features van Gogh's first portrait and his dark drawings of pensioners in charcoal, chalk...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Impassioned Expressions | 9/22/2000 | See Source »

...exhibit clearly underscores van Gogh's rejection of ideally beautiful, perfect figures. 'I find a power and vitality which, if one wants to express them in their peculiar character, ought to be painted with a firm brush stroke, with a simple technique,' van Gogh said, referring to the common men he preferred painting. The first rooms feature a haunting display of old pensioners, fishermen and weavers with craggy, misshapen faces. They have a serene dignity, particularly 'Orphan Man with Top Hat' (1882). Van Gogh's drawings reflect his eagerness to express the humanity of his subjects...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Impassioned Expressions | 9/22/2000 | See Source »

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