Word: goghs
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...closer inspection reveals that his walls are covered with depictions of Vincent Van Gogh and Gustav Klimt trees, and next to his metal filing cabinet stands one made out of oak wood. The office, it turns out, also overlooks the trees surrounding the Harvard University Herbaria, home to more than five million plant specimens...
...seems that great artists are always known by certain iconic stories. Who can forget the tragedy of Vincent van Gogh cutting off his left ear lobe after a confrontation with his friend Paul Gauguin? And then there’s Paul Gauguin himself, who is known for his attempt to escape European civilization in search a pre-civilization good life in Tahiti. There is the sadly romantic story of the dwarfen Henri Toulouse-Lautrec, who would frequent the Moulin Rouge to pine after the beautiful, tall dancer Jane Avril.But Daniel Kehlmann, the author of the novel...
Miuccia Prada planted the seeds in her spring 2007 collection, sending down the runway two satin dresses the moody purple-blue of Van Gogh's irises. Since then, fellow designers Marc Jacobs and Zac Posen have filled their lines with shades of it. Nike, the Gap and even Cadillac are sporting its finery. And Michelle Obama certainly got the memo. She wore it to her husband's nomination ceremony and final debate and on Larry King Live--as did, come to think of it, Mr. King...
Night Vision. Van Gogh and the Colors of the Night is at New York City's Museum of Modern Art. The small exhibit includes the artist's masterpiece, "Potato Eaters," and other night-inspired paintings, drawings and letters. See the collection on MoMA's late night (Friday), then hit Danny Meyer's Modern bar and restaurant next door for drinks and small plates (sit in the Bar Room). The Alsatian thin-crust tart with crème fraîche, onion and applewood smoked bacon is perfect with a glass of white. The Van Gogh exhibit runs through...
...every Bacon is a triumph, however. As early as the mid-1950s, inspired by Van Gogh and by the keen sunlight of Tangiers, where he was spending much of his time in a miserable love affair, he attempted to work in brighter colors and with looser brushwork. The result was a few congested, conventionally expressionist canvases. But the movement to a high-key palette also opened the way to the orange, lilac and pale beige backgrounds that make his work of the '60s and '70s so unnerving, precisely because the agonized figures struggle in such bright spaces...