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...Corral and his own favorite, Lonely Are the Brave, the Cowboy Hall of Fame in Oklahoma City inducted Kirk Douglas, 67, as its newest celluloid cowpoke, joining the legendary likes of John Wayne. The Duke might have been amused. After Douglas portrayed the eccentric painter Vincent Van Gogh. Wayne asked him, "Why did you play that weak, sniveling character?" Replied Douglas: "I'm an actor." Warned the Duke: "Yeah, well, don't let me catch you playing a role like that again...

Author: /time Magazine | Title: People: May 14, 1984 | 5/14/1984 | See Source »

...underworld rose to the bait. First shady dealers, then smugglers and fences and, finally, the thieves themselves came forward to offer him hot merchandise, including pictures purportedly by Tintoretto, Renoir, Van Gogh and Modigliani. Watson had difficulty in authenticating these works as stolen art, with good reason. Most were forgeries...

Author: /time Magazine | Title: Books: Black Arts | 1/16/1984 | See Source »

...inhabitants of our fragile planet earth." But what fellows! Bombardiers and borers, water sprites, builders and architects, singers and aviators all fly, hop and crawl through the pages of this extraordinary zoo without screens. A commonplace grasshopper on a black-eyed Susan takes on the dazzle of a Van Gogh landscape; a mangrove glows like a Christmas tree as thousands of fireflies illuminate its heavy branches. The text, by Naturalists Lorus and Margery Milne, is full of felicities: "It is often the inconspicuous [insects] that have the greatest impact on civilization . . . The world feels right when we hear a cricket...

Author: /time Magazine | Title: Books: A Shelf of Season's Readings | 12/12/1983 | See Source »

...paintings come, in part, from disappointed tourism. The south of France has drawn artists since Van Gogh; its blue, fouled coast is speckled with monumental names, Cézanne, Renoir, Picasso, Matisse, Bonnard. Though condos, fast-food chains and jammed autoroutes from Bordighera to the Camargue have somewhat dimmed its luster, it still possesses-especially for those who have not been there-a durable allure...

Author: /time Magazine | Title: Art: Revelations in a Dank Garden | 10/31/1983 | See Source »

...science has replaced art as the art of the period, precisely because it shows no bounds. The catalogue for the 1913 Armory Show in New York, which for the first time displayed for great numbers of Americans the works of Gauguin, Cezanne and Van Gogh, announced: "Art is a sign of life. There can be no life without change, as there can be no development without change. To be afraid of what is different or unfamiliar is to be afraid of life." People believed that. The trouble was that science soon proved itself more attuned to the different and unfamiliar...

Author: /time Magazine | Title: What Really Mattered? Not just great events, but underlying causes | 10/5/1983 | See Source »

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